Culloden_Reimagined

13 ECHOES

Location: Inverness, Highland, Scotland, United Kingdom

David Watt
David Watt

Creative Works from Music Students at University of the Highlands and Islands, Perth College, in response to Culloden Battlefield. Students were asked to reflect upon themes of battle, echoes of battles and reparations.

Students: Daniel L (Echoes from Battle), Daniel N (Culloden Soundscape), Paul S (Suite: No Quarter)

Image by MW from Pixabay (https://pixabay.com/photos/culloden-scotland-battlefield-3742337/)

Hello, Welcome

Welcome to the Culloden Reimagined Sound Walk

You will hear works by students from the Popular Music Degree course at University of the Highlands and Islands. In a response to a brief from National Trust Scotland, students have reimagined Culloden and other battles, considering how to represent sense of meaning, identity and reparations.

In this sound walk you are able to listen at your own pace, and discover works in any order that you choose.

We hope you enjoy listening and experiencing.

1 sound

Echoes from Battles (Daniel L)

In this reflective piece, Daniel uses the piano as a sound design palette to create a soundscape that remagines the emotional echoes of Culloden and other battles. Various techniques are used, such as vibration using friction mallets, knocking and extended sustain.

1 sound

No Quarter (Paul S, #1)

In this work, Paul has responded to the events of Culloden through the composition and arrangement of folk songs. These songs appear in different arrangements as a reflection of the loss, and effect of Battles.

1 sound

Night Attack (Paul S, #2)

In this work, Paul has responded to the events of Culloden through the composition and arrangement of folk songs. These songs appear in different arrangements as a reflection of the loss, and effect of Battles.

1 sound

Highland Charge (Paul S, #3)

In this work, Paul has responded to the events of Culloden through the composition and arrangement of folk songs. These songs appear in different arrangements as a reflection of the loss, and effect of Battles.

1 sound

Aftermath (Paul S, #4)

In this work, Paul has responded to the events of Culloden through the composition and arrangement of folk songs. These songs appear in different arrangements as a reflection of the loss, and effect of Battles.

1 sound

The Keening (Paul S, #5)

In this work, Paul has responded to the events of Culloden through the composition and arrangement of folk songs. These songs appear in different arrangements as a reflection of the loss, and effect of Battles.

1 sound

No Quarter (Paul S, #6)

In this work, Paul has responded to the events of Culloden through the composition and arrangement of folk songs. These songs appear in different arrangements as a reflection of the loss, and effect of Battles.

1 sound

Echoes (Paul S, #7)

In this work, Paul has responded to the events of Culloden through the composition and arrangement of folk songs. These songs appear in different arrangements as a reflection of the loss, and effect of Battles.

1 sound

Echoes Pt 1 (Daniel N)

The soldiers head off to battle, it may be the final walk for some. There is foreboding, deep thought, anxiety.

1 sound

Echoes Pt2 (Daniel N)

Armies come face to face. Bleakness – realisation of war/death.

1 sound

Echoes Pt 3 (Daniel N)

Tension Building

1 sound

Echoes Pt4 (Daniel N)

Uses swords as the basis of the soundscape to mimic emotions of battle

1 sound

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On breezy days a keen wind funnels across a landscape of wild heather, home to pheasants, herds of wild deer and active wind turbines. Once inside castle ruins the remains of Auchindoun’s high curtain wall protects visitors from the strongest of winds. The castle is in effect a large tower house that rises across a number of floors, the most impressive of which, even in a ruinous condition, is a great vaulted hall on the first floor. Auchindoun’s rough lichen covered walls hold the memories of winters, summers, feasts and battles and it’s worth taking time to explore the nooks, crannies and remains of old fireplaces on the ground floor – the only floor accessible to the public. Although watch your footing on the uneven ground and look out for fenced off sections. 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