The Folklore of Dean

machine learning

grindlay street and garden

''her love is still here'' - found after a night full of dancing. Edinburgh musicians and sound enthusiasts, responding to this anonymous message in very different voices have gifted their music to share in the walk to raise funds for Tiny Changes. Music from: Daniel Garcia Exterior Fistymuffs Holiday Club Grant McNeil Sha Rivari Tides of Avalon Tiny Changes is a mental health charity supporting young people in Scotland. Fundraiser: https://gofund.me/e4c27f06 More about Tiny Changes: https://tinychanges.com/

Its the way i go home from gym.

Awrite lads, welcome an audio walk of the world's first UNESCO City of literature, Edinburgh! This bonnie city is known for its historic architecture, morbid past and stunning natural landscape, but this walk will focus on the rich literary history of the city. Despite the Proclaimers advocating for a five-hundred mile walk, this one is only around three miles long. This walk will guide you around the historical old town teaching you about the authors that have walked the very streets you are on and how the landscape has inspired some of the most famous literature in existence. You will also hear an excerpt from each authors works read by local residents. So get ready for doolally detectives, havering headmistresses and endearing eejits.

This walk along Princes Street and up Calton Hill gives you the conversation that good friends, Robert Louis Stevenson and Henry James, may very well have had on one of their long evenings at Skerryvore in Bournemouth. They had both written about Edinburgh in the 1870's. It starts on the south side of Princes Street, facing Edinburgh Castle, with your back to the end of Castle Street.

Visit some of the key locations in the gruesome true story of notorious serial killers Burke and Hare with this guided walk through Edinburgh's old town.

'Where the Paths End' is a collection of 3 different soundwalks around Edinburgh, Birmingham, and London commissioned by Plus Minus Ensemble and Zubin Kanga's Cyborg Soloists UKRI Future Leaders Fellowship at Royal Holloway University of London. Each soundwalk should take about 40 - 50 minutes to experience, and they are located in areas of cultural importance within reasonable walking distance of the venues of the Reid Concert Hall (Edinburgh), Royal Birmingham Conservatoire (Birmingham), and Cafe Oto (London), where live performances of this piece first occurred. Through the presentation of environmental sound the work attempts to offer a record of the sound of three different cities in the early part of 2023. We often have visual records of cities through photographs, paintings etc, but we seldom have sonic representation. What became apparent making these recordings is how loud our cities are, and how much of our audio space is given over to the combustion engine and other anthropophonic sounds. Environmental sounds become the springboard for other musical materials. Each movement takes the resonant frequency of the environmental recording and ornaments it with synthesizers, demonstrating that music, pitch, and even melody can be born from the sound of the environment all around us. These are lessons we learn from Annea Lockwood, Alvin Lucier, and Pauline Oliveros amongst others. In addition, between each movement, a simple drum beat with synth acts as 'headphone music' and carries us from one recorded location to the next. Finally, Where the Paths End is an attempt to incorporate walking, and my lived experience as an artistic practice in a manner similar to visual artists such as Hamish Fulton or Richard Long. There is a real beauty to walking and experiencing our habitat with heightened awareness. In this state we can offer strange interventions. How uncanny and beautiful to experience Edinburgh’s George Square in the dead of winter and hear it teeming with student life on a sunny spring day, or to stand in London’s Dalston Curve Garden and hear the bells of the Greyfriars Kirk in Edinburgh. It’s as if we can time travel or hover above the earth and eavesdrop on very specific locations simultaneously. All journeys start from home, and this piece begins with sounds created in my house. The poetic title of each moment also comes from home, more specifically poems found in the collection 'Where the Sidewalk Ends' by Shel Silverstein, which my wife was reading to my 4 year-old son during the compositional process. They are not related, but associations are born from happy accidents and experiencing disparate things simultaneously, and I like to think that each movement has something of the character of their title. The poem Where the Sidewalk Ends invites us to walk to a beautiful mythical place ‘with a walk that is measured and slow’. By the same token, I hope that this piece can bring you to a beautiful place measured and slow, whether literal or figurative.