Bornholm Åben Form Pavillon af Luft / Bornholm Open Form Pavilion of Air

16 ECHOES

Østermarie

https://www.recordedfields.net/installations/bornholm-open-form-pavilion-of-air/ [Scroll ned for dansk tekst] Walk very slowly to allow sounds to enter gradually, notice the borders of these zones where new sounds fade-in, spend time in some places to notice the long sounds develop.

This audiowork for BEAST Bornholm is part of the pan-European Open Form Pavilion of Air series, following Pavilions for Warsztaty Kultury (Lublin, PL), Meetfactory (Prague, CZ), Folldal Kommune (NO) and Bergen Arkitekthøgskole (NO) - each offer a modulation of a location and its context. The audiowork uses sound and site-mapping to offer a playful renewal and reframing of public space as an essential place of engagement for the community. Inspired by Polish architects Oskar & Zofia Hansen’s “Open Form” architectural concept (ca. 1959), the audio work is presented as a Pavilion without walls - a roof made from sound - that is heard to extend across the public space of Østermarie Park.

By traversing different zones within the park using your mobile phone, the Echoes app and headphones, you become a participatory listener producing a composition in real-time as your navigation creates a unique choreography via GPS, combining and changing sounds mapped within the site through the app. A new layer of experience is rendered within Østermarie Park as the simplicity of the invisible roof and the absorbing physicality of its sound transforms the location and its context. The Pavilion has no visible presence outside the app and can only be accessed and enjoyed on-site in Østermarie Park.

DANSK https://www.recordedfields.net/installations/bornholm-open-form-pavilion-of-air/ Gå meget langsomt for at lade lydene komme ind gradvist, læg mærke til grænserne for zonerne, hvor nye lyde fader ind, brug tid nogle steder for at lægge mærke til de lange lyde, der udvikler sig.

Dette lydværk til BEAST Bornholm er en del af den paneuropæiske Open Form Pavilion of Air-serie, der følger efter Pavilions for Warsztaty Kultury (Lublin, PL), Meetfactory (Prag, CZ), Folldal Kommune (NO) og Bergen Arkitekthøgskole (NO) - hver især tilbyder en modulation af et sted og dets kontekst. Audioværket bruger lyd og kortlægning af stedet til at tilbyde en legende fornyelse og omformning af det offentlige rum som et vigtigt sted for engagement i samfundet. Inspireret af de polske arkitekter Oskar & Zofia Hansens arkitektoniske koncept "Open Form" (ca. 1959) præsenteres lydværket som en pavillon uden vægge - et tag lavet af lyd - der kan høres strække sig ud over det offentlige rum i Østermarie Park.

Ved at bevæge sig gennem forskellige zoner i parken ved hjælp af din mobiltelefon, Echoes-appen og hovedtelefoner, bliver du en deltagende lytter, der producerer en komposition i realtid, mens din navigation skaber en unik koreografi via GPS, der kombinerer og ændrer lyde, der er kortlagt på stedet via appen. Der opstår et nyt lag af oplevelser i Østermarie Park, da det usynlige tags enkelhed og lydens absorberende fysikalitet forandrer stedet og dets kontekst. Pavillonen har ingen synlig tilstedeværelse uden for appen og kan kun tilgås og nydes på stedet i Østermarie Park.

Robert Curgenven

http://recordedfields.net/ Robert Curgenven creates large-scale audiovisual experiences, performances, albums and installations, that emphasize physicality, our embodied response to sound and its correspondence to location, air, weather and architecture - the underlying significance of context. His recorded output includes "Tailte Cré-Umha (Bronze Lands)" and "SIRÈNE", pipe organ works, for his Recorded Fields Editions; "Oltre" and "Built Through" for LINE imprint; and "Climata", recorded in 15 of James Turrell’s Skyspaces across 9 countries. Festival performances include Sydney Festival, Maerzmusik (Kraftwerk Berlin), Sonic Acts (Amsterdam), Cork Midsummer, Ultrahang (Budapest). Works and installations produced include those for National Gallery of Australia, National Museum of Poland (Krakow), Palazzo Grassi (Venice), Transmediale (Berlin) and National Sculpture Factory (IRL). "Curgenven makes the point that sounds are fundamental to our perception of the world... hearing the complexities of a place and time is intersected by memories of the familiar which are in turn displaced and transformed.” Realtime Magazine (AUS) “Behind the music lurk such [disparate] presences as Alvin Lucier, King Tubby, Murray Schafer and Eliane Radigue.” The Wire Magazine (UK)