Lise-Lotte Norelius – Sky

room 1 ECHOES


(In English below.)

Med ljudkonstprojektet ComposerSplaces vill Audiorama sprida och öka kunskapen om svensk elektroakustisk musik och ljudkonst till en bredare publik..

Sedan 2015, när jag flyttade till översta våningen med en fantastisk utsikt i en Stockholmsförort, har jag tagit en hel del foton på himlen. Att flytta efter arton år i en mörk liten lägenhet på bottenvåningen var fascinerande och överväldigande! Ljudmaterialet består av konverterade bildformat från ett foto av himlen, vidare bearbetade i mina Max/MSP-patchar.

Lise-Lotte Norelius (f. 1961) har mer än trettio års erfarenhet som musiker. Etablerade sig tidigt som slagverkare, men har sedan 00-talet i huvudsak trakterat live-elektronik och allsköns objekt. Hon studerade elektroakustisk komposition vid KMH i Stockholm 1998–2002 och har sedan dess komponerat musik för högtalare, musiker med live-elektronik, poesi, teater, installationer och dansföreställningar. Förkärleken till små, ynkliga, komiska eller fula ljud, rytmiska strukturer och långa linjer kännetecknar ofta hennes musik, som kan vara både vacker, rå och brutal. De senaste åren har hon använt sådant som styrbara motorer, hemmagjorda bullriga enheter, synthsmycken, dammsugare och diskettenheter för vidare bearbetning med sin Max/MSP-mjukvara och olika effektboxar.

(EN) With the sound art project ComposerSplaces, Audiorama wants to make Swedish electroacoustic music and sound art available to a wider audience.

Since 2015, when I moved to the top floor with a fantastic view in a Stockholm suburb, I have taken a lot of photos of the sky. After eighteen years living in a gloomy flat on the bottom floor, the change was both fascinating and overwhelming! The sound material consists of converted image formats from one photo of the sky, further processed in my Max/MSP patches.

Lise-Lotte Norelius (b. 1961) has more than 30 years experience as a musician. She established herself initially as a percussionist, but has since 2000 mainly been focusing on live electronics. She studied electroacoustic composition at the Royal College of Music in Stockholm 1998-2002 and has since then composed music for speakers, musicians with live electronics, poetry, theater, installations and dance performances. The preference for small, pathetic, comic and ugly sounds, rhythmic structures and long lines often characterize her music, which can be both beautiful, raw and brutal. Recent years she has been using controllable motors, homemade noisy devices, synth jewelry, vacuum cleaners and floppy drives, for further processing with her Max/MSP software and various effect boxes.

(Photo courtesy of the composer.)

Audiorama - Hörspiel, Sound art and Electroacoustic Music
Audiorama - Hörspiel, Sound art and Electroacoustic Music
Audiorama initiates, plan and execute projects focusing on contemporary sound art, earplays and electroacoustic music. We commission, produce and present new works by composers, sound artists and dramatists. We collaborate with organizations, institutions and universities. Audiorama runs two festivals: Tonband (music) and Dramaton (Hörspiel). We also collaborate with a number of other festivals, some of them on a regular basis. Examples of the diverse projects we work on are Ljudbänken (“The Sound Bench”), a touring public sound art installation, and the PULS concert series in collaboration with EAU.



The Echoes

Lise-Lotte Norelius – Sky

(In English below.) Med ljudkonstprojektet ComposerSplaces vill Audiorama sprida och öka kunskapen …

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