Assignment 2 - Hero Haas

room 12 ECHOES

Location: Sydney, New South Wales, Australia

This walk shows the walk from the Hurstville train station to Owen Hodge Lawyers (located on the second floor of the building on Ormonde Parade). You first leave the train and then head to the stairs located by the bread store. Front here you cross the street and walk a straight path until the building will be on your right. The creative aspect that I have put into this walk would be that it is a rainy day. This adds more noises to be heard from the pitter patter of the rain on umbrellas passing by, to the splashing of puddles, to the closing and opening of umbrellas. There can also be heard a bus squeaking to a stop on the wet roads. The techniques used to acquire these sounds involved a zoom mic. I walked around to different locations to gather these sounds, some being around campus while others being somewhat near the site. I also used sounds from my peers; including the walking, rain, and ambiance. There are multiple spots where I have the rain fade out nicely to indicate times where there are cover and the rain cannot be heard as sharply as the sidewalks are mainly covered. The echo is supposed to be simple, not too complex or eery; nor dramatic. Walking to work is an every day task which typically doesn't have much good or bad to it more so just a matter of fact. This is what I was aiming for within my piece. While things could happen to make it very eventful, the likely hood of that happening is rather low. I had to wait for a rainy day to collect the bus squeaking sound of the tires over the water. The context of this walk is that this is one I experience everyday. I do not know of many locations in Sydney as I am still relatively new to the area; moving here in January. To pick something that was familiar and I have walked through for a couple months now felt right and solid to me. Everyday I experience a new ambience of noise, from the people around, to the weather. It is a reassuring and comforting walk; since there's things that are different but yet the main walk will always be the same. I wanted to make it feel like it was a comfortable walk, I didn't want to make it sound like it was scary or uncomforting. I used different types of audio, ones being made from humans, ones being made from nature, living and non living. This is a common usage of sound composition. While as my group members supplied a lot of the sounds that come from human creations to really tie together my composition. I did not want to put too many sounds as to drown out any of the others or to make it seem as though there was too much going on.


Hero Haas
Hero Haas

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The Echoes


Train Station

This echo has the ambience from a group member of mine. This audio was used as it gave a nice and co…

Stretch Between station And Sidewalk

In this echo there are layers of sound. There is traffic, ambience of people talking, rain, and walk…

Sidewalk

Building to work

Start Of Train Station

This has the sound of he train doors opening and footsteps up the stairs out of the train station. I…

Elevator

Key card into Office

Bus

Birdies

Int his echo I added birds, I didn't want it to play throughout the entire area as there aren't that…

Human chatter

There is a cafe here. This is typically where the talking ends as it gets faded out more the further…

Umbrella Open

This echo is for the opening of the umbrella since it is raining. It's to make it seem more like you…

Umbrella Close

This echo is to be when the umbrella closes. Thus added again to make it feel like you are actually …

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Izel Onay - Audio Culture Assessment 2 - "The Secret Life of Cudi"

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ASSESSMENT2

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Victoria Park - A Cultural and Natural Epicentre for University Life

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Surrounded by a bustling city environment and flowing traffic from all directions Victoria Park can appear to some as a central location for noise pollution and heavy foot traffic. However, through a collation of the many sounds other than that of the urban soundscape that entraps the park, its centrality in supporting the student life of the surrounding universities can be seen. As you walk from the University of Technology Sydney the relentless sound of traffic tapers off as students walk down to the pond as a place of solace and peace. Muddied footsteps and flowing water highlight how whilst the city has been engulfed in one of its wettest seasons, the park and its purpose as an escape for students still thrive. The sounds of gardeners and birds chirping almost hint at a persistent effort to preserve that environment by nature and those who look to uphold its natural beauty. As one walks deeper into the park towards the University of Sydney, the presence of student life, even during quiet study periods, can be heard with compilations of laughter, banter, and conversation. Above that, Victoria Park acts as a cornerstone for student activism and protest, as it offers an open and inclusive space for students to celebrate and protest their beliefs and the change they want to see in their universities. Walking towards Parramatta Road and the gates of the University of Sydney, a student picket can be heard all around the edges of the university as students chant in unison in the hopes of enacting institutional change. It shows the symbolism of the park as a basis point for the future generation of leaders to go about building their campaign for better education, quality of life standards, such as wages, and environmental action. The creative aim of this walk is to represent how through audio, we can illustrate the need for spaces such as Victoria Park for students and young activists to safely and effectively advocate and protest for the change they want to see in their societies. Often through video, these protests are able to be displayed to show the scale and size of these movements, however, through sound, this project points out how in a large environment and soundscape such as Victoria Park, sound can be just as effective as visual aids to illustrate the impact these student movements are making in Sydney. The sound material utilized in the project was collated in between the areas of Broadway (University of Technology Sydney) and the gates of the University of Sydney in Victoria Park. A Rode NTG-3 shotgun microphone was used with a Zoom H6 recorder to capture all content and various mixing techniques were utilized to optimize the audio quality. Subtractive equalizing was used to clean all audio material of resonant frequencies which worsen the listening experience for users, and dynamic processing in the form of a compressor was used for various sound sources in order to control transients and dynamic peaks which cause an un-balance in the mix of the project. Additive equalizing was also used to balance low and high frequencies between foreground and background sounds, with shelf and peak filters allowing for the high frequencies of voices to be heard better in the mix above traffic noise from background sound sources. Further dynamic processing was used on the master channel in the form of a limiter with a ceiling of -1db in order to achieve the loudness requirements for this project. The ‘YouLean’ loudness meter was used to help measure short term and integrated loudness and analyze the mix of foreground and background sounds in order to achieve the target foreground loudness of -16LUFS.
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audio culture assessment 2

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My Echoes Walk attempts to detail the significance of nature's timbre in this busy city life by providing a personal anecdote of recently moving from the Central Coast to the middle of Sydney, where the surrounding soundscape contradicts each other. I attempt to convey the merit of consuming a different sound environment so close to the city with the example of my local park, Redfern Park. I also capture the importance of Redfern Park in terms of its historical magnitude and the connotation it holds to the people of Redfern. Picking my echoes walk location as Redfern Park carried the creative aim of firstly finding a nonlinear area. In Redfern Park, multiple points of entry and pathways give a sense of non-linearity. Additionally, the park's theme makes it so you don't have to walk in a straight line, and it's up to you to traverse and enjoy the space. In my intro, I implemented sounds that would be most common to those who live in and work in Sydney or any city in general, such as waiting at the lights of a crossing and train announcements, trying to create a point of similarity with the average Sydney resident. With sounds that they would hear on the daily. In Part A, I tried to achieve the use of park ambience and softer sounds that were easy on the ear; in an attempt to set the tone and background of the project, I applied a soft midi keyboard playing a simple chord progression to layer it on the back to create depth and interest, which is played throughout the majority of the piece. I add in my narration to describe the park's visuals and atmosphere so that the listener could invoke and relate to its characterisation. Through figurative language such as 'mature fig trees' and 'welcomed me with a gush of wind,' the listener could sympathise with those who previously visited the park, and it allows me to segway the listener's curiosity to the history of the park, which is what I cover in part B. To my narration then compares the coast to the city it ultimately foreshadows the focal point of the message it is trying to give in that by living in a somewhat opposite soundscape, you gain an appreciation for the other Part B tells the story of the park and its historical value to the people of Redfern and Aboriginal culture. Such as telling the coming of the first Aboriginal AFL team and former prime minister Paul Keating's apology speech. Its epicenter as aboriginal activism gives the Echoes listener intel and justifies a reason to listen while traversing the area. Listening to a tour guide through headphones immerses the listener and informs them of information. It continues with the park atmosphere ambience, and chatter to give a comfortable homely feeling. Then adding footsteps to give a sense of progression within the story and to represent the passing of time and the history of the park Part C and the outro use more city sounds, such as street atmosphere, train announcements, and chatter in shops and alleyways, with narration that recounts my past three months since moving to the city and its experiences that made me miss the soundscape of a quieter, peaceful area. Redfern Park acts as a sanctuary of mind that fulfills Sydney's missing nature and serene soundscape, marking its importance in my local sphere. My creative aim attempts to show the difference between city life's soundscape and the central coast. The sound materials consisted of 'city sounds' that could be heard daily in Sydney, which I collected by covering my daily life, such as commuting to university and hanging out with friends. From this, naturally collected sounds that describe the urbanism sound felt in Sydney. Additionally, for the more idyllic lifestyle, its acoustemology was contained in more peaceful quiet areas such as Redfern Park and parts of the coast. Its composition and layering was done through multiple layers of atmos sound that add depth to the Echoes walk; I layered a midi of a simple four-chord pattern and an intro and outro music to keep the audio not monotonous.
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