Strodex - Tottertone

Poets : Martin Rieser and Elizabeth Parker Chatterton at St Mary Redcliffe's past and Present Thomas Chatterton (20 November 1752 – 24 August 1770) was an English poet whose precocious talents ended in suicide at age 17. He was an influence on Romantic artists of the period such as Shelley, Keats, Wordsworth and Coleridge. Although fatherless and raised in poverty, Chatterton was an exceptionally studious child, publishing mature work by the age of 11. He was able to pass off his work as that of an imaginary 15th-century poet called Thomas Rowley, chiefly because few people at the time were familiar with medieval poetry, though he was denounced by Horace Walpole. At 17, he sought outlets for his political writings in London, having impressed the Lord Mayor, William Beckford, and the radical leader John Wilkes, but his earnings were not enough to keep him, and he poisoned himself in despair.

A spoken tour to guide you through the hidden gems and untold stories of central Bristol. The recommended time is a leisurely 2 hours. There are fourteen stops altogether. Tweet @echoesxyz to tell us what you thought!

Poems by Agata Palmer The original Bristol Harbour Railway was a joint venture by the GWR and the Bristol and Exeter Railway, opened in 1872 between Temple Meads and the Floating Harbour. Its route included a tunnel under St Mary Redcliffe church and a steam-powered bascule bridge over the entrance locks at Bathurst Basin. In 1876 the railway was extended by 1⁄2 mi (800 m) to Wapping Wharf. In 1906, new branches from the south via the Ashton Avenue swing bridge were built to Canons Marsh on the north side of the Floating Harbour and to Wapping via a line alongside the New Cut. A Coal Concentration Depot owned by Western Fuels was established at Wapping Wharf just behind the Industrial Museum but this closed in 1987. The Bristol Gaol Site The original New Gaol was designed by Henry Hake Seward and opened in 1820. In 1831, it was destroyed during the Bristol Riots and was rebuilt to designs by Richard Shackleton Pope, but was never properly completed until 1872. The gaol was closed in 1883 due to poor conditions and was largely demolished in 1898. In 1884, Horfield Prison was built to replace it. In 1821, three days after his eighteenth birthday, John Horwood was the first person to be hanged at the Gaol for murdering Eliza Balsum by hurling a pebble at her which hit her on the right temple and she then tumbled into a brook. English Heritage designated The Gaol entrance wall and gateway and the south-east perimeter wall as a Grade II listed building. It is now the centre-piece of a redevelopment project in this area of the city. Bathurst Basin Bathurst Basin is a small triangular basin adjoining the main harbour of the city of Bristol, England. The basin takes its name from Charles Bathurst, who was a Bristol MP in the early 19th century.[1] The basin was built on an area of an old mill pond, Trin Mills.[i] The pond was supplied by the River Malago, from Bedminster to the South. It lost its water supply as the New Cut was created in 1809, running to the South of the enlarged Floating Harbour and catching the flow of the Malago. After this it formed a connecting basin, through two sets of locks, between the Floating Harbour and the tidal River Avon in the New Cut.[2] The connection enabled smaller vessels to bypass the main entrance locks in Cumberland Basin. From 1865 a deep water dock with a stone quay front was built. The area used to be an industrial dock with warehouses and numerous shipyards at the adjoining Wapping Shipyard and Docks, including Hilhouse, William Scott & Sons and William Patterson. Now there is a small marina, with residential quayside properties. The Bristol Harbour Railway connected to the main line system at Temple Meads, via a lifting bascule bridge over the northern entrance dock to the basin and a tunnel beneath St Mary Redcliffe. The tunnel still exists, but is now blocked,[ii] and the original railway bridge has been replaced with a swing footbridge. This bridge is manually swung by a hydraulic pump action.(wikipedia)

Poets: Liz Cashdan and Agata Palmer A walk around Queen's Square taking in Madame Tussaud and Kosciuszko, the Polish Patriot. The square was named in honour of Queen Anne, who visited Bristol in 1702, and it became the home of the merchant elite. It was conveniently placed for both arms of the harbour, but its low-lying position surrounded on three sides by a tidal river had disadvantages too: an 'assemblage of nastiness' floated in the river, and when the tide failed to carry this away it offended the eyes and nostrils of those living in the square. This was one of the factors which ultimately led the wealthy to the move up the hill to Clifton. Privateer Woodes Rogers lived on the west side of the square; a plaque commemorates this on the building that now occupies the site of his former home. Rogers circumnavigated the globe in 1707-1711, rescuing Alexander Selkirk (the inspiration for Dafoe's Robinson Crusoe) from Juan Fernández Island during his voyage. In 1831 Queen Square was the focus of a riot, in which half the buildings in the square were destroyed. The trigger for this was the arrival in Bristol of Recorder Sir Charles Wetherell, who misjudged Bristolians' support for some of his earlier positions to mean that they agreed with his opposition to the Reform Bill. There followed three days of rioting, looting and arson, fuelled by plentiful supplies of alcohol from the well-stocked cellars of residents, which were finally brought to a halt when Lieutenant-Colonel Thomas Brereton of the 14th Dragoons led a charge with drawn swords through the mob. Hundreds were killed and wounded and the mob dispersed. Brereton was later court-martialled for leniency because he had initially refused to open fire on the crowds, but shot himself before the conclusion of his trial. In the centre of the Square is an idealised equestrian statue of William III by John Michael Rysbrack, cast in 1733 and erected in 1736 to signify the city's loyalty.

Misfits On The Move is a short poetry walk around the harbour - from the mirror-ball to M Shed - by The Misfits Poetry Group. Misfits Theatre Company are a unique theatre and social group, led by people with learning disabilities. To listen just download the ECHOES app!

The Centre, past and present. Poet: Lisa Lopresti The course of the River Frome, immediately to the west of the historic centre, was covered over in stages, in the second half of the 19th century. The area became the hub of the city's tramway network, and was known as the Tramways Centre.[5] It was so called long after the last trams left in 1941, but is now known simply as The Centre. Between 1936 and 1938, the Centre was enlarged when more of the River Frome, between Broad Quay and St Augustine's Parade, was covered in, making way for the Inner Circuit Road.[6] The western side of the Inner Circuit Road has since been largely decommissioned, and recent works have rebalanced The Centre in favour of pedestrians, cyclists and public transport users. (wikipedia)

Poems by David Punter Bristol Docks In the 18th century, the docks in Liverpool grew larger and so increased competition with Bristol for the tobacco trade. Coastal trade was also important, with the area called "Welsh Back" concentrating on trows with cargoes from the slate industry in Wales, stone, timber and coal.[7] The limitations of Bristol's docks were causing problems to business, so in 1802 William Jessop proposed installing a dam and lock at Hotwells to create the harbour. The £530,000 scheme was approved by Parliament, and construction began in May 1804. The scheme included the construction of the Cumberland Basin, a large wide stretch of the harbour in Hotwells where the Quay walls and bollards have listed building status.[8] Launch of the SS Great Britain, the revolutionary ship of Isambard Kingdom Brunel, at Bristol in 1843 The tidal new cut was constructed from Netham to Hotwells, with another dam installed at this end of the harbour. The Feeder Canal between Temple Meads and Netham provided a link to the tidal river so that boats could continue upstream to Bath. However, the new scheme required a way to equalise the levels inside and outside the Dock for the passage of vessels to and from the Avon, and bridges to cross the water. Jessop built Cumberland Basin with two entrance locks from the tidal Avon, of widths 45 and 35 ft (13.7 and 10.7 m), and a 45-foot-wide (13.7 m) junction lock between the Basin and what became known as the Floating Harbour. This arrangement provided flexibility of operation with the Basin being used as a lock when there were large numbers of arrivals and sailings. The harbour was officially opened on 1 May 1809

Bristol Beacon Past and Present / The Colston Statue and its history. Poets Pauline Sewards, Lisa Lopresti and Deasy Bamford Bristol Beacon The hall first opened as a concert venue in 1867, and was called Colston Hall as it was built on the site of Colston School named after Edward Colston an English merchant, slave trader, philanthropist, and Tory Member of Parliament. The name was changed in 2020 to become more welcoming and inclusive. The hall became a popular place for classical music and theatre. In the mid-20th century, wrestling matches were in strong demand, while in the late 1960s it developed into one of the most important rock music venues in Britain. ‘Hey! You Cats! I’m coming back’ From the UK Tour advert in March 1959 when the fabulous Louis Armstrong, in great form, played to a sold out Colston Hall in Bristol. It was reported he said ‘You sure are a jumping audience’ and in his dressing room Louis ate his lunch in his underwear. Beacon Hall was one of the most important rock music venues in Britain, hosting acts like The Beatles, Jimi Hendrix, The Rolling Stones, David Bowie, Elton John, Led Zeppelin and Pink Floyd. Its recent refurbishment, the first phase of Bristol Beacon's renewal in 2009 involved constructing the £20 million foyer space. Now remodelling the main hall to increase standing capacity by 15 per cent, transforming The Lantern facility area within the Hall into a versatile performance venue and opening up the extensive cellars for the first time in 150 years – creating a new performance space to be completed in 2023. Edward Colston The statue of Edward Colston is a bronze statue of Bristol-born merchant and trans-Atlantic slave trader, Edward Colston (1636–1721). It was created in 1895 by the Irish sculptor John Cassidy and was formerly erected on a plinth of Portland stone in a public park known as "The Centre", until it was toppled by anti-racism protestors in 2020. Designated a Grade II listed structure in 1977, the statue has nonetheless been the subject of controversy due to Colston's fortunes at least partially made from his involvement in organising the Atlantic slave trade, as a senior executive of the Royal African Company. The statue was erected to commemorate his reputation in Bristol as a philanthropist. From the 1990s onward the debate on the morality of glorifying Colston intensified. In 2018, a Bristol City Council project to add a second plaque to better contextualise the statue and summarise Colston's role in the slave trade resulted in an agreed wording and a cast plaque ready for installation. Its installation was vetoed in March 2019 by Bristol's mayor, Marvin Rees, who promised a rewording of the plaque which never materialised.(wikipedia)