Leadenhall Love

room 11 ECHOES

Location: Leadenhall Market, Gracechurch St, London, England EC3V 1LR, United Kingdom

A walk around Leadenhall Market in the City of London, soundtracked with poems on the theme of love, read by members of the Leadenhall community Charlie Carter and Frances Lea.

Note: poems will auto trigger as you enter each 'sound sphere', and will stop when you leave it. Poems will play again each time you re-enter.


Leadenhall Market
Leadenhall Market

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The Echoes


A birthday by Christina Rosetti

My heart is like a singing bird Whose nest is in a water'd shoot; My heart is like…

The Owl and the pussy cat by Edward Lear

I The Owl and the Pussy-cat went to sea In a beautiful pea-green boat, They took some honey, and …

She walks in beauty by Lord Byron

She walks in beauty, like the night Of cloudless climes and starry skies; And all that’s best of dar…

I loved you first but afterwards your love by Christina Rossetti

I loved you first: but afterwards your love Outsoaring mine, sang such a loftier song As drowned the…

Amoretti LXXV One day I wrote her name by Edmund Spenser

One day I wrote her name upon the strand, But came the waves and washed it away: Again I wrote it wi…

A red, red rose by Robert Burns

O my Luve is like a red, red rose That’s newly sprung in June; O my Luve is like the melody Th…

How do I love thee (Sonnet 43) by Elizabeth Barrett Browning

How do I love thee? Let me count the ways. I love thee to the depth and breadth and height My soul c…

When you are old by William Butler Yeats

When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowl…

Ode to us By Charlie Carter

Although we may not be together, You are forever in my thoughts, The time we spent, And the fun we h…

Sonnet 116: Let me not to the marriage of true minds by William Shakespeare

Let me not to the marriage of true minds Admit impediments. Love is not love Which alters when it al…

Shall I compare thee to a summers day (Sonnet 18) by William Shakespeare

Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shak…
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Other walks nearby

senseprompting

senseprompting

[sense]prompting :: on accidental urban encounters ismini gatou, 2025 [sense]prompting unfolds as a process of attentive sensing, through the exploration of ‘overhearing’ as a form of care and presence, and as a way of attuning to the sociopolitical, material, and more-than-human agents that shape the city-nature assemblage. What do we hear and where? How do we hear (do we hear?) silence, or through silence? Whose voices inhabit the streets we pass through, and what infrastructures, vibrations, and non-human murmurs lie beneath our feet? Can hearing be another form of listening? Developed from a distance, the work is conceived as a research–relational–imaginative procedure of a public space in which the artist is not physically present, yet which is encountered as a process, through the resonances of the spaces she imagines and virtually visits (via Google Maps and online material), as well as of the spaces she inhabits daily; the dense, multicultural neighbourhoods of central Athens. The sensorial textures of these two urban sites, Athens and London, echo and contrast, revealing their differing rhythms, economies, and entanglements. The artwork unfolds through two interrelated forms. ~ a (sense)prompter loop, positioned by the gallery window, inviting both the exhibition visitors and passersby to attend to their own accidental over-hearings and to possibly contribute short field or vocal recordings. These fragments gradually form a collective archive of the area’s public-private sensorial and affective encounters. ~ a (walk)attuning piece extends this gesture beyond the gallery space, weaving voices and urban textures from both cities into an evolving, situated experience. [sense]prompting reimagines the practice of accidental, sensory encountering as a different way of inhabiting, relating, and co-producing the urban, in process. ----------------------------------- Processing Process ~ No EnD In Site Concept and research by Korina Pavlidou · Curated in collaboration with Raisa Desypri · Produced by ASTRO Open: 12 December 2025 – 17 January 2026 Hypha Studios Gallery 3 / No. 1 Poultry, London EC2R 8EN Processing Process ~ No EnD In Site brings together a transdisciplinary group of artists exploring relationality, transformation, and the dynamics of process at the intersection of social research, the life sciences, and biotechnology. Conceived and developed from the research of Korina Pavlidou and articulated through her framing of Process-Oriented Ontology, the show is curated in collaboration with Raisa Desypri and produced by ASTRO. The exhibition features twelve international artists (in alphabetical order): Grayson Earle (@prismspecs); Sasha Engelmann (@sasha_intheair); Jonn Gale (@balkanjonn); Ismini Gatou (@ismini_gatou); Klio Maniati (@kokomania); Katerina Markoulaki (@cath_ki); Andreas Philippopoulos-Mihalopoulos (@picpoet); Peter Polak (@sicknessinternational); Luiza Prado (@luizap); Xristina Sarli (@xristinasarli); Dan Venn (@dan.venn) and Lizzy Yarwood (@zil_doorway). For more info visit this link: https://hyphastudios.com/raisa-desypri-2/
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