Crossings (I) History Note

1 sound

Crossings (I) History Note

Anthony Lam

3:40 mins (PAUSE TO EXIT) Located in the park, in an open space, the work reflects on listening to the confinement of others. Crossings (II) is located in the other park along the seafront and Crossings (III) is at the Arsenal Gates.

The views are mine alone. They describe a place that has undergone a massive and dramatic transformation over the past three decades. Material, economic, environmental, class, diversity, cultural... reflective of the transitional shift(s) in society during the postwar period. As the new towers materialized, replacing the old wharfs, dockyards and histories, these narrative first person pieces reflect on the new realities for some that can be found within the margins of place. These constructed (reality) fictions have been driven by a need to comment on the dramatic changes driven by new economics, capital and the entitlement of wealth creation and attainment, and look to the past for insights into the present. It is a recovering process. How does one begin to understand with clarity and focus the bigger forces at play, given such intensity of development and renewal? What ultimately is the impact on people?

Anthony Lam is a photographer and university senior lecturer who is engaged with interrogating, exploring and expanding his relationship to photography and society. Lam’s diverse practice is located within conceptual, representational and social concerns, addressing issues of identity, culture and place from a personal and social political viewpoint.

Voice: Anthony Lam


Anthony Lam is a photographer and university senior lecturer who is engaged with interrogating, exploring and expanding his relationship to photography and society. Lam’s diverse practice is located within conceptual, representational and social concerns, addressing issues of identity, culture and place from a personal and social political viewpoint.


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Sonic Soundings: Venice Trajectories

Sonic Soundings: Venice Trajectories

Riva Degli Schiavoni 4177, Venezia, Italy
a sound released, an echo returns the depth of impact making waves across a changing landscape sound travels A geo-locational sound project curated by Erika Tan, initially coinciding with the 57th Venice Biennale and Diaspora Pavilion. www.sonicsoundings.com ARTISTS & WORKS: (LA) LARRY ACHIAMPONG Untitled / Wreath I, II Untitled / Back To Church I, II, III (SMA) SONG-MING ANG Trade Winds (Venice) No Man’s Band (BA) BARBY ASANTE A Declaration Of Independence: For Ama. For Aba. For Khadija And Mary (CB) CHI BAGTAS Erlinda, Can I Speak To You Po, (YB) YASON BANAL : : (please note, this work was only available in 2017) (LC/BO) LIBITA CLAYTON & BENJAMIN ONE ACQUA ALTA II (LMD) LIZZA MAY DAVID TO GO OVERSEAS (KD) KIMATHI DONKOR History Repeating In The Presence Of Khadija Saye (BH) BANI HAYKAL Obituary for Privacy (AJK/LL) ANNIE JAEL KWAN & LYNN LU Water Carries No Stain (AL) ANTHONY LAM Crossings (I) History Note Crossings (II) His Duty Crossings (III) Crossing (SPSL) SUSAN PUI SAN LOK Songs VI (2017) (AP) ADAM PATTERSON Tourism Is The Work Of The Devil (GS/JS/AK) GEETANJALI SAYAL / JUHI SAKLANI / ANSHUL KAPOOR Cross Pollinat/In Venice (SS) SUNIL SHAH Market Nation (MT) MICHAEL TAIWO Home Is A Hard Place To Find ERIKA TAN (CURATORIAL INTERVENTION) Sonic Soundings ##GlobalFeedback## (TW) TINTIN WULIA Untold Movements – Act 2: When I Doubt My Insanity (AZ) ABBAS ZAHEDI A Bridge That Witnesses Suffering & Yet Continues To Connect PLEASE NOTE: If there are problems with the app, please close and refresh. App support/testing: Benjamin Chan, Malone Chen, Yun Teng Seet
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