Aasai Mugam Marandhu Pochae | Tree Being

1 sound

Aasai Mugam Marandhu Pochae

Vocals: Sharada Eswar
Written by Subramania Bharathi
Raagam (Melody): Jaunpuri
Taalam (Rhythmic Beat): Aadi

Aasai Mugam Marandhu Pochae is poem written by Subramania Bharathi, fondly referred to as Bharathi or formally with as "Maha Kavi" Bharathiyar. So many of his poems are written with a passion for Kannan, an interesting term used in the Thamizh culture. While it is a direct reference to Lord Krishna, who is affectionately called Kannan, the term equally applies to that special someone or something in your life that you love or are fond of. This poem laments the loss of a picture of his mother, however the poet plays with words, specially using the term Kannan to allow dual references thus, allowing the listener to apply the meaning appropriately. For me, as an immigrant and a guest on Treaty 19, the poem holds the memory of a near-lost land, its waters, its culture and language.

Tree Being

Aug 27-28 and Sept 10-11: 4:00-5:30pm
Dance installation by Julia Aplin performed by Terrill Maguire (Aug 27 & 28), and Mai Duong and Suzanne Barnes (Sept 10 & 11).

This moving installation, is a collaboration with a beautiful Basswood Tree whose heart shaped leaves, zig-zag twigs and expansive canopy seem to create an experiential haven from the urban landscape. In opposition to anthropomorphizing, a dancer takes on the invitation to treethropomorphize; to be more grounded, to move more slowly, to feel space more expansively and to patiently witness all kinds of wild and domesticated visitors.

“Paying attention is a form of reciprocity with the living world, receiving the gifts with open eyes and open heart.”
Robin Wall Kimmerer

“ Humans are just one way of being a person.”
Gavin Van Horn


Part of this walk

riverMOUTH

riverMOUTH

Toronto
Circling through time and space, sound transports us from the whispering of bulrushes to the rush of a saxophone blast, from the racket of a passing train to a groove drummed on a fallen log. Wander the Humber / Cobechenonk river valley as you listen to over 40 tracks — from plant medicine, ecology and architecture, to soundscape and song. riverMOUTH is inspired by water and our desire to nurture sustainable, life- giving connection to the planet. Look & Listen Be aware of your surroundings. Cyclists travel at high speeds along the paved recreational trail. Walking paths may be steep, slippery or uneven. Beware of poison ivy and cow parsnip. If you come into contact, wash with soap and water and cover the area. Once home, check yourself for ticks and follow City of Toronto health guidelines. Credits: Andrew Adridge, baritone and spoken word artist Mingjia Chen, singer & composer Christine Duncan, vocalist and improviser Sharada Eswar, singer, writer and storyteller Gail Fraser, avian ecologist Clement Kent, biologist Andrea Kuzmich, vocalist and body percussionist Jean Martin, audio producer Karen Ng, saxophonist and composer Juliet Palmer, composer and artistic director Christie Pearson, architect, artist and writer Joseph Pitawanakwat, plant medicine, Anishinaabe learner and educator Alex Samaras, singer and composer Andrea Thompson, poet and spoken word artist Photos and videos from our summer of live programming can be enjoyed on our website: www.urbanvessel.com Urbanvessel is based in Tkaronto, the traditional territory of the Mississaugas of the Credit, the Anishnabek, the Chippewa, the Haudenosaunee and the Wendat peoples. The territory is governed by Treaty 13 and is subject to the Dish with One Spoon Wampum Covenant, an agreement between the Haudenosaunee and Anishinaabek Confederacies and allies to peaceably share and care for the lands and waters around the Great Lakes.
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