6. Friction, Sehee Choi

1 sound

Using everyday ceramics, I tried to capture various sounds by making direct or indirect friction between the pieces. Then I added the sounds of a violin. I paid attention to the sounds that the ceramics made and responded to that.

Part of this walk

Celadonaphonic (Stoke-on-Trent)

Celadonaphonic (Stoke-on-Trent)

Stoke-On-Trent, City Of Stoke-On-Trent, England, United Kingdom
CELADONAPHONIC is a conflation of two words: ‘celadon’, a type of clay used in traditional Korean ceramics and ‘phonic’ meaning 'of sound'. Six artists (3 Korean, 3 British) have been commissioned to make new sound works about ceramics - some have used field recordings as the basis of their work, others have evolved more conceptual processes. The works, taken together, explore the nature and practice of two very different making cultures. This sound walk is presented in Stoke-on-Trent as part of British Ceramics Biennial and also in Seoul as part of Resonance Festival in November. Celadonaphonic is part of the Made in Korea project, a cultural dialogue between the UK and Korea, co-curated by ceramist Kay Aplin and sound artist, Joseph Young, in partnership with Hankil Ryu. Supported by ARTS COUNCIL ENGLAND
free
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