Baile Átha Cliath Pailliún Aeir i bhFoirm Oscailte (Dublin Open Form Pavilion of Air)

room 49 ECHOES

Dublin

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Details https://www.recordedfields.net/installations/dublin-pavilion-of-air/

Walk slowly to allow sounds to enter gradually, notice the borders of these zones where new sounds fade-in, spend time in some places to notice the long sounds develop. Explore the grounds of the Square beyond the paths.

Robert Curgenven’s “Baile Átha Cliath Pailliún Aeir i bhFoirm Oscailte” (Dublin Open Form Pavilion of Air) is an audiowork which uses sound and site-mapping to offer a playful renewal and reframing of public space as an essential place of engagement for the community. Inspired by Polish architects Oskar & Zofia Hansen’s “Open Form” architectural concept (ca. 1959), the audio work is presented as a Pavilion without walls - a roof made from sound - that is heard to extend across the public space of Merrion Square.

By traversing different zones within the park using your mobile phone, the Echoes app and headphones, you become a participatory listener producing a composition in real-time as your navigation creates a unique choreography via GPS, combining and changing sounds mapped within the site through the app. A new layer of experience is rendered within Merrion Square as the simplicity of the invisible roof and the absorbing physicality of its sound transforms the location and its context. The Pavilion has no visible presence outside the app and can only be accessed and enjoyed on-site in Merrion Square.


Robert Curgenven
Robert Curgenven
http://recordedfields.net/ Robert Curgenven creates large-scale audiovisual experiences, performances, albums and installations, that emphasize physicality, our embodied response to sound and its correspondence to location, air, weather and architecture - the underlying significance of context. His recorded output includes "Tailte Cré-Umha (Bronze Lands)" and "SIRÈNE", pipe organ works, for his Recorded Fields Editions; "Oltre" and "Built Through" for LINE imprint; and "Climata", recorded in 15 of James Turrell’s Skyspaces across 9 countries. Festival performances include Sydney Festival, Maerzmusik (Kraftwerk Berlin), Sonic Acts (Amsterdam), Cork Midsummer, Ultrahang (Budapest). Works and installations produced include those for National Gallery of Australia, National Museum of Poland (Krakow), Palazzo Grassi (Venice), Transmediale (Berlin) and National Sculpture Factory (IRL). "Curgenven makes the point that sounds are fundamental to our perception of the world... hearing the complexities of a place and time is intersected by memories of the familiar which are in turn displaced and transformed.” Realtime Magazine (AUS) “Behind the music lurk such [disparate] presences as Alvin Lucier, King Tubby, Murray Schafer and Eliane Radigue.” The Wire Magazine (UK)

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