Pampas Grass by Spotted Flycatcher

1 sound

Cortaderia selloana Common name: Pampas Grass Native to: Pampas regions of South America, including parts of Argentina and Brazil and the whole of Uruguay.

This is a type of grass in the Poaceae family. This grass is considered an invasive nuisance in parts of North America and is banned in Hawaii and New Zealand.

Pampas Grass’ latin name, Cortedaria selloana, is named after the German botanist Friedrich Sellow who collected and sent many plants to Europe when working in South America in the early 19th Century.

Pampas grass is non-toxic to animals though care needs to be taken of it’s sharp-edge leaves.

Spotted Flycatcher (Muscicapa striata)

Catching sight of the fleeting flash of a Spotted Flycatcher, as it darts into the air to snatch an insect, is usually our first sign that this long-distance trans-Saharan migrant has returned once again to breed in the gardens and woodlands around us.

All populations winter in Africa south of the Sahara, with most crossing the Equator. They are locally common in southern West Africa, Camerron, and Eas Africa, and common ans widespread from the southern Congo Basin and Zambia throughout southern Africa.

Spotted Flycatchers use a variety of breeding habitants from sea-leve; to c900 m and occasionally up to 1,500 m elevation. Common components of preferred habitants include raised perches, often in mature trees and shrubs, telephone wires, fences and buildings. They require open woodland which clearings or glades, and are often found near open water, rivers or streams, and sling the edges of dense woodland. Dry deciduous woodland is preferred but they are also found in native pinewoods.

In the wintering quarters, the habitants chosen are often similar to those used when breeding. Secondary woodland, disturbed land, and suburban areas are preferred but they will utilize habitat along logging tracks in forest.


Part of this walk

Sonic Border by Januario Jano

Sonic Border by Januario Jano

Huntly
A new sound installation by artist Januario Jano is situated across seven sites in Huntly, Aberdeenshire. The public artwork, developed whilst on residency at Deveron Projects, traces (and imagines) the journey of migratory birds, primarily passing through Angola, reaching the north of Scotland. The project began with a focus on Huntly’s infamous swift population and has evolved to include seven migratory birds. Through archive and newly recorded sounds of Common Swifts, Spotted Flycatchers, Red Knots, Common Starlings, Sedge Warblers, Common Terns and House Martins, Januario has composed a complex soundscape that reflects on migration and assimilation of human and non-humans. Moving above geographic borders, a process of assimilation for birds is distinctive from people and plants, and politics, but equally requires hospitality for survival. Habitual in their migration, Swifts return to the exact home (nesting in roofs, under tiles, under eaves and within gables) annually. So methodical in their nature that should the home have been removed, the Swifts will continuously knock themselves against the spot that their nest resided that the impact will often kill them. To what end to we, humans, require the kindness and considerations of others to be at home? The soundscape maps a 45-minute circular path and the sites for each track are marked by seven 'non-native' plants, imbedded into Huntly's landscape: Crocosmia, Pampas Grass, Cotoneaster, Peiris Japonica, Hydrangea, Japanese Maple and Lavender.
free

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