In the Forest Next the Sea

1 sound

Words by Katie Colombus, music by Laura Reid. Soprano Gweneth Ann Rand, piano Allyson Devenish. "I remember when Julie first told us she was ill and that at some point in the near future she wouldn't be here anymore, and it felt like it was going to be so hard. But she took control and made it the best possible ending of her time here, and that helped all the family in so many ways. She often talked about "the next adventure on the other side of the universe"; we went shopping for the brightest, most colourful dress we could find to wear at her funeral; she wrote letters and boxed up gifts for the future, and it all somehow softened the journey. Before she died we went travelling - we saw whales and dolphins, swam in the sea, hiked hills, walked in forests, and we all appreciated every moment, acutely aware of how precious that time was. It was in Kaikoura, New Zealand, that I had this dream about Julie being able to communicate with the whales in a secret language. It is my hope that this work will keep beautiful memories of a very special person alive."

Poem text:

In the Forest Next the Sea

Birdsong unravels in cloud,      hills and myths move with time, slowly around edifice of softening ground.

Evening curves in and out        of dappled light, warm winds drape over the hard grey leaves of trembling poplar trees,

owls dark on perches, still in shadow patches,        one crying twit, the other replying twoo – I never knew that the call meant there were two.

Sweet magnolia hangs heavy, falls soft        to forest floor, leaving leaves like silken skirts that whirl at my ankles as I walk.

Black pupils of night close in        on an island dream where whales sing in language understood by only you. copyright Katie Colombus 2023


Part of this walk

Songs of Hope, Tête à Tête: The Opera Festival 2023

Songs of Hope, Tête à Tête: The Opera Festival 2023

London
A song cycle of hope located within a field recorded and sonically manipulated soundscape, including words, songs and music. Contemporary writers have responded to the poem “Hope" is the thing with Feathers by Emily Dickinson. Laura has set the words for voices, piano, instruments and pre-recorded sounds. These musical echoes are presented in an audio walk. Free to access by mobile phone and headphones in specific locations using GPS location software echoes xyz.com (software to be downloaded in advance). Laura will be presenting this as a guided ticketed walk on the launch day, 5.00pm 29th August. Meeting outside entrance to Cockpit Theatre, Gateforth Street, the walk will take 60 - 75 minutes. It will be available to access via mobile devices for the duration of the festival. Featuring soprano Gweneth Ann Rand and piano by Allyson Devenish. Music by Laura Reid. Words: Ahed Al Hamwi, Katie Colombus, Oge Nwosu, Teresa Howard. Responses to the poem range from the personification of Hope by Ahed Al Hamwi, optimistic reflections recalling images of nature by Teresa Howard and Katie Colombus, to stark realities of sustaining hope in challenging circumstances by Oge Nwosu. Each one has a unique perspective. Age Rating: All ages, but mostly adults. Content Advisory: to see content advisories for Tête à Tête: The Opera Festival 2023 shows, click here. Laura is generously supported by PRS Foundation Composers’ fund. Produced by Laura Reid Venue: The Cockpit, Gateforth Street, London NW8 8EH. https://www.tete-a-tete.org.uk/event/songs-of-hope/
free

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