The recording process

1 sound

The recordings were made in September 1928. The audio technology of the time was very different from today, and the effort put into making these recordings is astonishing. Columbia Graphophone Company (which then became Columbia Records), one of the first gramophone companies in the UK, was behind the recording process. The location of this “bubble”, 8-11 Great Castle street, is where their headquarters were at the time. The recording process. First the medium used was a wax disc, engraved by a needle. The wax disc would then be metallized to create a “master” with which mass production of shellac discs would be done. Shellac is a resin (secreted by a bug) that predates the more widespread and recent polyvinyl chloride used for vinyl records. The equipment needed for the engraving would take up an entire room, and was composed of: electric batteries to supply the power, ovens to soften the wax in preparation of the engraving, and vacuum tube amplifiers to amplify the microphone signal to the level necessary to drive the needle motor. The microphone would be attached with a very long cable running from the equipment room to the street, often hanging from windows. The exact locations for the recordings were thus subject to finding an available space for the installation of the recording equipment. Since only one microphone was used, the recordings are monophonic.


Part of this walk

LSN: London Street Noises

LSN: London Street Noises

London, Greater London, England, United Kingdom
In September of 1928 five locations across central London were recorded by a team from Columbia Records led by Commander Daniel and supported by the Daily Mail. The project was prompted by a pressing concern for the impact on health and wellbeing from traffic noise. These historical recordings are now available to you within this soundwalk at the exact locations of where those recordings were originally taken. You now see a map with blue bubbles representing the 5 locations where the recordings were taken in September 1928. You can start with any of them, but you’ll be able to hear the recording only within the area delimited by the bubble. By tapping on a bubble, you will see the name of the location, and by tapping on the name of the location, you can access some background information. The same background information is available as a read aloud version in an area adjacent to the relative location if you prefer to hear it instead of reading it on your device screen. A sixth bubble along Oxford Street contains some info about the recording technology used at the time. Once you’ve listened to the 1928 soundscape, please fill in the anonymous google form linked in the location description. When the soundwalk is open in map view, you can also tap on the ‘List’ icon on the top right corner to see a list of the locations and their descriptions. By tapping on the items in the list, you will then access the full description. MORE ABOUT THIS PROJECT: www.londonstreetnoises.co.uk www.facebook.com/londonstreetnoises Twitter: @londonnoises HUSH City app If you want to anonymously share the current soundscape of the location you are in with the community, please install the Hush City app. The recordings will be then publicly available here https://map.opensourcesoundscapes.org Android http://bit.ly/AndroidHush iOS http://bit.ly/HushLSN When answering the first question “What prompted you to record this sound?” please reply ‘LSN’, so that we can identify the recording as part of the London Street Noises project. For feedback or questions about the project, please email us at londonstreetnoises@gmail.com
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