Hydrangea by Common Starling

1 sound

Hydrangea (serrata) Native name: Ajisai Native to Japan, China and Korea.

Alternate name for some varieties in Japan (H. macrophylla and H. serrata) – Nanahenge meaning ‘seven transformations’. This is due to the properties of some species which change colour according to the soil conditions. Acidic soil produces more blue flowers, alkaline soil more red or pink. This deciduous flowering shrub is happy in sun or part shade.

The first varieties were brought to Europe in the 18th Century. Samples were difficult to move (smuggle) out of secure Japanese conditions. Carl Peter Thunberg is credited as taking back the first plants which have been cultivated in Japan since the 8th century.

Other hydrangea species, such as H. arborescens and H. quercifolia originate from North America.

Toxic: to people, cats and dogs.

Common Starling (Stumus vulgaris)

The Starlings is one of most familiar and widely birds. It is at home in towns, gardens and the wider countryside, and yet the numbers of this highly adaptable species have declined over the two decades.

The resident breeding population is augmented in winter by immigrants from northwest continental Europe, the arrival of which can present a moving sight to watchers on the east coast of Britain in late October and early November. Once here, their aerial manoeuvres as they prepare to alight in their night roost present one of the most exciting spectacles of ornithology.

In addition to this natural range, Starlings have become successfully established, after introduction by Man, in southern Australia, New Zealand, South Africa and North America.

In summer, adults tend to remain near their breeding areas, but large flocks of juveniles are found feeding on coastal salt marshes, moorland and in cherry orchards, suggesting a divergence in the habitants used by adults and young at this time of year.


Part of this walk

Sonic Border by Januario Jano

Sonic Border by Januario Jano

Huntly
A new sound installation by artist Januario Jano is situated across seven sites in Huntly, Aberdeenshire. The public artwork, developed whilst on residency at Deveron Projects, traces (and imagines) the journey of migratory birds, primarily passing through Angola, reaching the north of Scotland. The project began with a focus on Huntly’s infamous swift population and has evolved to include seven migratory birds. Through archive and newly recorded sounds of Common Swifts, Spotted Flycatchers, Red Knots, Common Starlings, Sedge Warblers, Common Terns and House Martins, Januario has composed a complex soundscape that reflects on migration and assimilation of human and non-humans. Moving above geographic borders, a process of assimilation for birds is distinctive from people and plants, and politics, but equally requires hospitality for survival. Habitual in their migration, Swifts return to the exact home (nesting in roofs, under tiles, under eaves and within gables) annually. So methodical in their nature that should the home have been removed, the Swifts will continuously knock themselves against the spot that their nest resided that the impact will often kill them. To what end to we, humans, require the kindness and considerations of others to be at home? The soundscape maps a 45-minute circular path and the sites for each track are marked by seven 'non-native' plants, imbedded into Huntly's landscape: Crocosmia, Pampas Grass, Cotoneaster, Peiris Japonica, Hydrangea, Japanese Maple and Lavender.
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