15. Self-contained Current

1 sound

Speech transcription: Below me, the red light was broken now. Fragmented as it divided itself between the numerous ripples made by the movement of my drowning toes. If I were tiny and in this water, I would have been tossed around by these ripples, moved by their self-contained current. I’d have heard them crashing like waves with a sound that would envelope my body and flood my mind before moving past me. This reminded me of ripples in sound waves, moving like an echo through tunnels; I was taken into the story of a book I read years ago.

Audio description: Chirping bug calls begin the clip. A low, bassy synth chimes at intervals, each time climbing and dropping in pitch slightly. Softly scraping metallic quality noise makes a figure 8 slowly at the straight edges then fast around the curves, repeating. Quiet dripping sounds come in, spatial and echoing like from a tunnel or cave, they carry throughout the clip. There is sometimes a sound of something heavier dropping that sounds slightly metallic like a coin dropping into a puddle. Speech begins. After ‘a book I read years ago’ is said, there is a squelching splash sound like someone stepping into a muddy puddle. The metallic figure 8 sound last then fades out after the speech. A throbbing, distorted sounding drone noise pulses and echoes, with each pulse there is also a quiet two-note hollow almost-popping sound straight after. The bassy synth from the beginning grows in again at intervals. The dripping becomes more metallic sounding and louder, sometimes there is the sound of movement through water like trying to walk in a deep puddle. The pulsing drone and synth fade out. Finally, there is an eerie, high pitch whistle synth in two tones descending and fading out. The metallic dripping fades lastly, ending the clip.


Part of this walk

Down Through the Clouds and Back Through Time Again

Down Through the Clouds and Back Through Time Again

Liverpool
This sound walk is a collection of fragments from artists Dan Waine and Mali Draper’s collaborative practice, combining immersive sound design and storytelling. “The moments from the night on the island are disjunct in the way that they sit in my head. Actually, on second thought they don’t sit, they bounce. I sat on the edge of a wall that surrounded a car park. The sky was much darker by this point, even the clouds were indistinct. They had dissolved into the indigo inkiness that hung above me. The red lights revealed themselves once again. On, two, three, four, five, six, seven, off…” The story centres around a character who accidentally gets trapped on an uninhabited island for an evening. The narrator finds themselves isolated without contact to the rest of the world, though still in view of the mainland over the body of water that separates them. A recurring focal point of the narrative is a mysterious red light that comes and goes, which ignites curiosity in the narrator, pulling them in and out of a dream-like progression throughout. The thoughts of the narrator may be shared with the audience, their fragmented and buffering nature feel very much like being put on pause; the lingering between one moment and another. Due to COVID-19 this work has been adapted from what was originally planned to be an indoor, interactive installation at OUTPUT gallery. Dan and Mali have dissected their work into 18 soundscapes, forming a sound walk located in Princes Park, Liverpool so that the work can be accessed by the public in a safe way.
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