6. Most of the time we don’t know the time

1 sound

Speech transcription: I thought of all the hands on clock faces in dark rooms that were turning as the red light came and went. Most of the time we don’t know the time, so it passes us by quietly.

Above me, the edges of clouds got caught in the moonlight’s glow as they simultaneously morphed and travelled.

At the same time, somewhere, people would have been scrolling deeper and deeper into their social media pages; stretching the top of the feed to their current point of information overload. The ‘new posts’ button would pop up at the top of the screen inviting them to scroll to the top and start the cycle all over again.

Audio description: The clip starts with the same repetitive, circular panning sound from clip four (Four minutes past five), but at a lower pitch. A low and steady hum sits underneath this and a delay/echo effect catches the tail end of the sound each time it fades out. All the sounds that have been heard so far calm down as the voice starts to speak. The sound of a ticking clock enters with an echo and slightly distorted effect. It subtly and slowly fades in and out throughout the piece. The hum and circular sounds swell in and die down at different volume levels throughout. As the voice ends, an eerie whirring sound lightly fades in along with a high-pitched, distorted chirping. Besides this a subdued whistle can be heard too. Towards the end, there is the sound of droplets in an echoey cave. The droplets sound like they are falling in all different directions around you. These mix with the eerie sounds that have just been described, until everything fades into silence at the end.


Part of this walk

Down Through the Clouds and Back Through Time Again

Down Through the Clouds and Back Through Time Again

Liverpool
This sound walk is a collection of fragments from artists Dan Waine and Mali Draper’s collaborative practice, combining immersive sound design and storytelling. “The moments from the night on the island are disjunct in the way that they sit in my head. Actually, on second thought they don’t sit, they bounce. I sat on the edge of a wall that surrounded a car park. The sky was much darker by this point, even the clouds were indistinct. They had dissolved into the indigo inkiness that hung above me. The red lights revealed themselves once again. On, two, three, four, five, six, seven, off…” The story centres around a character who accidentally gets trapped on an uninhabited island for an evening. The narrator finds themselves isolated without contact to the rest of the world, though still in view of the mainland over the body of water that separates them. A recurring focal point of the narrative is a mysterious red light that comes and goes, which ignites curiosity in the narrator, pulling them in and out of a dream-like progression throughout. The thoughts of the narrator may be shared with the audience, their fragmented and buffering nature feel very much like being put on pause; the lingering between one moment and another. Due to COVID-19 this work has been adapted from what was originally planned to be an indoor, interactive installation at OUTPUT gallery. Dan and Mali have dissected their work into 18 soundscapes, forming a sound walk located in Princes Park, Liverpool so that the work can be accessed by the public in a safe way.
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