4. Four minutes past five

1 sound

Speech transcription: Years ago I was given an alarm clock. When the battery stopped I never replaced them. I don’t know how long it has been a useless object; for at least 2 years I would guess.

The broken time is strong in my visual memory:
05:04, or 17:04,
four minutes
past five.

It’s been said that even a stopped clock is right twice a day.

Time has been standing still on my windowsill for a long time now, apart from the two separate fleeting minutes that are spaced 12 hours apart every day.

Audio description: A low throbbing drone starts this clip - it has a digital/electric feel to the sound. Following this, a second drone subtly swells in. This drone consists of tiny particles or grains of sound from different orchestral instruments. Above this, a digitally-produced, bubbling, rotating sound grows; it fades in, panned to the left, then travels to the right where it fades out again. This pattern repeats throughout. A fourth drone joins the noise; a distorted synth that gently bounces, similar to the first throbbing noise, but not as low-pitched. All four drones quieten down as the voice begins to speak. The drones mix, but sit quietly underneath the voice. The sound of a gentle breeze appears, but also remains low. Whilst the voice is speaking, a bright hum can be heard as the circular sound builds and drops, panning from left to right. The sound of a ticking clock fades in very slowly. It sits quietly in the background of the mix. As the voice stops, the now-quiet drones end, leaving only the rotating/circular sound with the bright hum until they both subtly fade at the end of the clip.


Part of this walk

Down Through the Clouds and Back Through Time Again

Down Through the Clouds and Back Through Time Again

Liverpool
This sound walk is a collection of fragments from artists Dan Waine and Mali Draper’s collaborative practice, combining immersive sound design and storytelling. “The moments from the night on the island are disjunct in the way that they sit in my head. Actually, on second thought they don’t sit, they bounce. I sat on the edge of a wall that surrounded a car park. The sky was much darker by this point, even the clouds were indistinct. They had dissolved into the indigo inkiness that hung above me. The red lights revealed themselves once again. On, two, three, four, five, six, seven, off…” The story centres around a character who accidentally gets trapped on an uninhabited island for an evening. The narrator finds themselves isolated without contact to the rest of the world, though still in view of the mainland over the body of water that separates them. A recurring focal point of the narrative is a mysterious red light that comes and goes, which ignites curiosity in the narrator, pulling them in and out of a dream-like progression throughout. The thoughts of the narrator may be shared with the audience, their fragmented and buffering nature feel very much like being put on pause; the lingering between one moment and another. Due to COVID-19 this work has been adapted from what was originally planned to be an indoor, interactive installation at OUTPUT gallery. Dan and Mali have dissected their work into 18 soundscapes, forming a sound walk located in Princes Park, Liverpool so that the work can be accessed by the public in a safe way.
free

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