A Meditation in the City Garden

1 sound

Meditation in the City Garden

a sole sound of a bird – breaks through my wuthering mind as sole as the last call of the last bird Kauai emplacing the mist of thoughts in the garden of Varosi

I sit here to meditate under the fig tree stretching my feet to the street of Democracy stretching, as if to a dry bed of a once roaring river opening a mouth to tell a story, then flowing into the sea

what a river is to a forest is what a street is to a city what is this hostage place in ruins to me, to you to its people displaced abruptly from the flow? what can this new asphalt open in a closed city?

it is the power of nature that opens the cracks where the asphalted memories come to light it is Varoshians that keep the attachment strong where the homeplace in the heart never collapses

a sole motif of a bird – was decorated here with oranges for the festive days flying from the archaic times to this garden and perched lost at the unexpected loss of those festivities

as delicate as the Edelweiss, the hope to regain remains in the ruins of the café that the white flower names it was the setting for the first experiences of the youth their first smoke, their first flirt, even their very first kiss

I meditate on the idea of connecting the lion of Famagusta to the botanic name of this flower Leontopodium a sudden zephyr in the garden disconnects the flags from the covered name of the Greek Gymnasium

it keeps blowing in the ruins of the Café Boccaccio turning the pages of a hundred stories in the Decameron a book of reflections on the values of the Renaissance reflected in the agenda of the café’s small parliament

a sole sound of the piano – from the Greek Lyceum of Art, preluded the band marching in the street parade of Democracy, then the trees in the garden compose the music live today

the athletes in the Stadium used to train to pass the torch, of the then everlasting continuity flame between ancient and modern, between past and present is the future of this city an extinguished flame?

a sole sound of a bird – as sole as the last call of the last Varoshians a call for justice in the name of humanity in the name of revival and life’s continuity

Nafia Akdeniz


Part of this walk

We Are Not Ghosts

We Are Not Ghosts

Αμμόχωστος
While the Varosha area is increasingly open to visitors, this work focuses on the human impact of Famagusta / Varosha history and aims at creating empathetic understandings for both locals and visitors. The poet explores place memory and refers to the interrupted life trajectory in Varosha, a place marked by forced displacement. By tapping into the collective memories of several public spaces, such as the Glossa Beach, the Municipal Garden, the Municipal Agora, the Greek Gymnasium and others, Akdeniz aims to identify the familiar and foster a deeper understanding of the refugee experience and the complex realities of the Cyprus conflict. These geo-triggered poems are accessed through the application ‘Sound Walking’ on location and on-line with printed QR codes at specific locations in Famagusta. The title, We Are Not Ghosts, echoes a common phrase used by Varosha refugees. It serves as a counter-response to labelling the city a “ghost town”. Instead, it reclaims the collective memory of its former inhabitants, and the possible future of the city. With these poems, Akdeniz, skilfully navigates the memory of this historical place and merges it with the present experience of the city as a post-war site. This work is produced from Akdeniz’s belief in poetry, aiming to enhance the human experience by involving all the senses and making both tangible and intangible aspects of human existence visible. The sound walk is a collaborative work of the poet Nafia Akdeniz, curator Alessandro Vincentelli, cultural director Argyro Toumazou, sound designer Inal Bilsel, visual designer Andriana Lagoudes, and application developer Jason Murray Winn. The project is produced by D6:EU, a visual arts organisation based in Cyprus, developing new opportunities for artists and cultural collaborations in Cyprus, Europe and the Middle East. Supporters: the Famagusta City Museum, Famagusta Avenue Garage, Famagusta local community, Paralimni – Deryneia Municipality, and Jason Murray Winn – Narrative Infrastructure. The project is a collaboration between the poet Nafia Akdeniz and D6:EU and funded as part of the Art for Social Action small grants programme.
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