Whitebeam

1 sound

Current age: Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HDN

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The fruit is usually bletted if it is going to be eaten raw. This involves storing the fruit in a cool dry place until it is almost but not quite going rotten. At this stage the fruit has a delicious taste, somewhat like a luscious tropical fruit!

About the composition:
In this tree family we encounter a sonic universe which was suggested to me by the sharpness of the leaves of this species. The sounds consist of a koto improvisation (the Japanese harp, known for the flexibility of pitch and percussive colour) by fellow composer Edward Mascall-Robson. This is a mature tree and I wanted the music to reflect its advaced age by using soft musical sounds in a very fragmented way.


Part of this walk

Music for Trees

Music for Trees

Regents Park, London, UK
Download the walk. Press START. Put the phone in your pocket. Look up. Look at the trees which surround you. As you walk, sounds will come. As you wander, sounds will change and layer. Then, later, have a look at your phone. The trees you are beneath will be identified, as will the creator of the music that you’re listening to. Explore the app. Other trees can be identified by selecting them. This is a soundscape of geo-located music created for some of the trees of Regents Park. The app will play music created by students from the Royal Academy of Music, their compositions an interpretation of the trees’ qualities both as individual specimens and as members of species. Walk beneath tree foliage on a sunny day; the leaves glow shades of green with the backlight and shimmer in the wind. Look at the shape and movement of leaf types, the quality and depth of the greens in the foliage. A small tree stands alone, reaching for the sky. A large tree dominates its environment, the scale and spread of the branches and the evident strength of the structure inspiring awe. Elsewhere, a group of trees might have layered, low, interlinking canopies which create an enclosed, intimate environment. Music for Trees is a soundscape derived from this visual experience. The composers have been tasked with identifying and giving sound to the myriad qualities of trees, through an understanding of the characteristics of the different species and individual specimens. Each tree has its musical signature. Stand beneath a freestanding tree and the sound will play on its own. However, where canopies overlap, so will the sounds. Where many canopies overlap, multiple music sources may create a layering of sound, phasing effects, echoes and multiple shifting harmonies, an aural equivalent of the visual experience. The project was generated by an arboriculturist who has been working with the trees of Regents Park for the last five years, inspecting trees for their condition and health, but of course responding to them in other ways too. Being amongst trees makes all of us feel better, in simple and profound ways. The Royal Academy of Music were approached with this idea and we hope they’ve been inspired by this encounter with the natural world as we hope you enjoy the work they’ve created, share it with your friends, and learn something.
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