Music for Trees

162 ECHOES

Location: Regents Park, London, UK

Josh Kopecek
Josh Kopecek
Director of ECHOES

Download the walk. Press START. Put the phone in your pocket. Look up. Look at the trees which surround you. As you walk, sounds will come. As you wander, sounds will change and layer.

Then, later, have a look at your phone. The trees you are beneath will be identified, as will the creator of the music that you’re listening to.

Explore the app. Other trees can be identified by selecting them.

This is a soundscape of geo-located music created for some of the trees of Regents Park. The app will play music created by students from the Royal Academy of Music, their compositions an interpretation of the trees’ qualities both as individual specimens and as members of species. Walk beneath tree foliage on a sunny day; the leaves glow shades of green with the backlight and shimmer in the wind. Look at the shape and movement of leaf types, the quality and depth of the greens in the foliage. A small tree stands alone, reaching for the sky. A large tree dominates its environment, the scale and spread of the branches and the evident strength of the structure inspiring awe. Elsewhere, a group of trees might have layered, low, interlinking canopies which create an enclosed, intimate environment.

Music for Trees is a soundscape derived from this visual experience. The composers have been tasked with identifying and giving sound to the myriad qualities of trees, through an understanding of the characteristics of the different species and individual specimens. Each tree has its musical signature. Stand beneath a freestanding tree and the sound will play on its own. However, where canopies overlap, so will the sounds. Where many canopies overlap, multiple music sources may create a layering of sound, phasing effects, echoes and multiple shifting harmonies, an aural equivalent of the visual experience.

The project was generated by an arboriculturist who has been working with the trees of Regents Park for the last five years, inspecting trees for their condition and health, but of course responding to them in other ways too. Being amongst trees makes all of us feel better, in simple and profound ways. The Royal Academy of Music were approached with this idea and we hope they’ve been inspired by this encounter with the natural world as we hope you enjoy the work they’ve created, share it with your friends, and learn something.

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Beech

Current age: Semi Mature
Size at maturity: 30m
Species native to: Europe (including the British Isles)
Tree identification number: 0HGF

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The beech, native of Southern England, is the dominant species in two famous woodlands around London. Burnham Beeches to the west, and Epping Forest to the north east. Its fine grained, stong wood was favoured by the furniture industry once strong in High Wycombe.

About the composition:
The sounds that were used came for this tree were soft, doublebass and violin sounds and were intended to imitate the soft shape of the tree’s leaf.

1 sound

Beech

Current age: Mature
Size at maturity: 30m
Species native to: Europe (including the British Isles)
Tree identification number: 0HGT

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The beech, native of Southern England, is the dominant species in two famous woodlands around London. Burnham Beeches to the west, and Epping Forest to the north east. Its fine grained, stong wood was favoured by the furniture industry once strong in High Wycombe.

About the composition:
The sounds that were used came for this tree were soft, doublebass and violin sounds and were intended to imitate the soft shape of the tree’s leaf.

1 sound

Beech

Current age: Semi Mature
Size at maturity: 30m
Species native to: Europe (including the British Isles)
Tree identification number: 0HLX

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The beech, native of Southern England, is the dominant species in two famous woodlands around London. Burnham Beeches to the west, and Epping Forest to the north east. Its fine grained, stong wood was favoured by the furniture industry once strong in High Wycombe.

About the composition:
The sounds that were used came for this tree were soft, doublebass and violin sounds and were intended to imitate the soft shape of the tree’s leaf. The relatively big size of this tree and upwards shape suggested to me a sense of grandness, reaching towards the sky.

1 sound

Beech

Current age: Semi Mature
Size at maturity: 30m
Species native to: Europe (including the British Isles)
Tree identification number: 0HXL

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The beech, native of Southern England, is the dominant species in two famous woodlands around London. Burnham Beeches to the west, and Epping Forest to the north east. Its fine grained, stong wood was favoured by the furniture industry once strong in High Wycombe.

About the composition:
The sounds that were used came for this tree were soft, doublebass and violin sounds and were intended to imitate the soft shape of the tree’s leaf. This tree is thin and tall, and evoked to me a sense of reaching to the sky without being able to, which I translated in the piece as a texture that always rises in order to finally fall.

1 sound

Beech

Current age: Semi Mature
Size at maturity: 30m
Species native to: Europe (including the British Isles)
Tree identification number: 0HXM

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The beech, native of Southern England, is the dominant species in two famous woodlands around London. Burnham Beeches to the west, and Epping Forest to the north east. Its fine grained, stong wood was favoured by the furniture industry once strong in High Wycombe.

About the composition:
The sounds that were used came for this tree were soft, doublebass and violin sounds and were intended to imitate the soft shape of the tree’s leaf.

1 sound

Beech

Current age: Semi Mature
Size at maturity: 30m
Species native to: Europe (including the British Isles)
Tree identification number: 0HXN

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The beech, native of Southern England, is the dominant species in two famous woodlands around London. Burnham Beeches to the west, and Epping Forest to the north east. Its fine grained, stong wood was favoured by the furniture industry once strong in High Wycombe.

About the composition:
The sounds that were used came for this tree were soft, doublebass and violin sounds and were intended to imitate the soft shape of the tree’s leaf.

1 sound

Red Ash

Current age: Mature
Size at maturity: 16m
Species native to: East and Central North America
Tree identification number: 0HFB

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The north-east American red ash has compound leaves of between three and nine leaflets. It produces fine grained strong timber.

About the composition:
This tree is wide and tall but very empty and sparse in terms of its leaves. This is translated in the music into a light texture, which is composed of three contrasting soft sounds in opposition (like its three main branches up in different directions), endlessly recurring with small alterations.

1 sound

Holly

Current age: Young
Size at maturity: 25m
Species native to: Europe (including the British Isles) and West Asia
Tree identification number: 12G0

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
Holly is shade tolerant and typically grows as understorey in woodland; lower leaves are the most spiked, with this defensive quality not needed above grazing height; the wood is beautifully white, except at the centre of very old trees, and is highly regarded by cabinet makers.

About the composition:
The chaotic shape and sharp quality of the leaves of this tree were the inspiration for the percussive wood sounds along with smoother string sounds, which were sampled from my own library.

1 sound

Crab apple

Current age: Mature
Size at maturity: 15m
Species native to: Europe (including the British Isles)
Tree identification number: 0HCX

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The crab apple is actually the wild apple, source of all domestic apples grown today.

About the composition:
This is dead tree, so in a way, we only witness its past when glancing at it. I wanted to reflect that in the music, so the sounds that I used, which I sampled from a recording of my own piece ‘Delirium’ for a large instrumental group, are sombre and nostalgic, as if speaking from afar.

1 sound

Whitebeam

Current age: Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HDN

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The fruit is usually bletted if it is going to be eaten raw. This involves storing the fruit in a cool dry place until it is almost but not quite going rotten. At this stage the fruit has a delicious taste, somewhat like a luscious tropical fruit!

About the composition:
In this tree family we encounter a sonic universe which was suggested to me by the sharpness of the leaves of this species. The sounds consist of a koto improvisation (the Japanese harp, known for the flexibility of pitch and percussive colour) by fellow composer Edward Mascall-Robson. This is a mature tree and I wanted the music to reflect its advaced age by using soft musical sounds in a very fragmented way.

1 sound

Whitebeam

Current age: Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HDP

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
The fruit is usually bletted if it is going to be eaten raw. This involves storing the fruit in a cool dry place until it is almost but not quite going rotten. At this stage the fruit has a delicious taste, somewhat like a luscious tropical fruit!

About the composition:
In this tree family we encounter a sonic universe which was suggested to me by the sharpness of the leaves of this species. The sounds consist of a koto improvisation (the Japanese harp, known for the flexibility of pitch and percussive colour) by fellow composer Edward Mascall-Robson. This tree is mature but its state is good, it has life in it. This ‘life’ is represented in the music by little bursts of energy that emerge in its surface.

1 sound

Yew

Current age: Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HGA

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
There's a maxim that trees are generally younger than you think, except for yews which are older than you think. One report suggests that a tree in Perthshire is 1500 years old, making it the oldest plant in Britain. Some say trees can be up to 4000 years old.

About the composition:
This family of trees appeared to me as somewhat dense and dark, when looking from the outside. This tree is small, dense and with the leaves touching the ground, and the music reflects this downwards tendency and reduced sense of space through its texture.

1 sound

Yew

Current age: Semi Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HGD

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
There's a maxim that trees are generally younger than you think, except for yews which are older than you think. One report suggests that a tree in Perthshire is 1500 years old, making it the oldest plant in Britain. Some say trees can be up to 4000 years old.

About the composition:
This family of trees appeared to me as somewhat dense and dark, when looking from the outside. The leaves of this tree were in contact with the ground, with the music reflecting this downwards tendency of the tree to always fall.

1 sound

Yew

Current age: Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HWV

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
There's a maxim that trees are generally younger than you think, except for yews which are older than you think. One report suggests that a tree in Perthshire is 1500 years old, making it the oldest plant in Britain. Some say trees can be up to 4000 years old.

About the composition:
This family of trees appeared to me as somewhat dense and dark, when looking from the outside. This tree is very tall, it has dark leaves a thin trunk and dense. This is reflected by the texture of the music, which is low but thin.

1 sound

Yew

Current age: Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HWW

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
There's a maxim that trees are generally younger than you think, except for yews which are older than you think. One report suggests that a tree in Perthshire is 1500 years old, making it the oldest plant in Britain. Some say trees can be up to 4000 years old.

About the composition:
This family of trees appeared to me as somewhat dense and dark, when looking from the outside. This tree has a round and dense shape, and we can find a hole in the trunk. The music represented that with dark and sombre sounds.

1 sound

Yew

Current age: Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HY0

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
There's a maxim that trees are generally younger than you think, except for yews which are older than you think. One report suggests that a tree in Perthshire is 1500 years old, making it the oldest plant in Britain. Some say trees can be up to 4000 years old.

About the composition:
This family of trees appeared to me as somewhat dense and dark, when looking from the outside. This yew is very tall, with four big branches. I wanted to reflect this in the piece by emphasising its large acoustic presence.

1 sound

Yew

Current age: Mature
Size at maturity: 25m
Species native to: Europe (including the British Isles)
Tree identification number: 0HY1

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
There's a maxim that trees are generally younger than you think, except for yews which are older than you think. One report suggests that a tree in Perthshire is 1500 years old, making it the oldest plant in Britain. Some say trees can be up to 4000 years old.

About the composition:
This family of trees appeared to me as somewhat dense and dark, when looking from the outside. This tree has a curved bottom trunk, is tall and thin, and a few elevated leaves. The music here sought to represent that by having all the low sounds ‘dancing upon themselves' and the high sounds be more static.

1 sound

Common lime

Current age: Semi Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HG1

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HGE

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HGG

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HGR

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Semi Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HGV

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Semi Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HGX

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Semi Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HH9

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HX8

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Semi Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HX9

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Semi Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HXA

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Common lime

Current age: Semi Mature
Size at maturity: 30m
Species native to: Hybrid: Cross between a large leaved lime and a small leaved lime
Tree identification number: 0HXC

Composer name
Arnau Brichs Ponce

About the composer:
Born in Barcelona (2000), studied jazz with Marina Albero and Chano Domínguez and classical piano with Mireia Datzira in the IEA Oriol Martorell whilst performing solo piano recitals in venues like Ateneu Barcelonès or Casa Orlandai and winning the 2nd Arjau Chamber Music Prize. He also performed at the 47th International Music Festival of Cadaqués. In 2016, he moved to the UK to attend the Purcell School for Young Musicians, studying composition with Joseph Phibbs, Deborah Pritchard and Brian Elias. His song for school patron Dame Kiri Te Kanawa later won a prize at the "WCSMS 2019 Promising Young Composers Competition" (USA). He was awarded a full ABRSM scholarship to study at the Royal Academy of Music, where he is currently working under Helen Grime and Rubens Askenar. He has received advice and lessons, among others, by composers like Kaija Saariaho, Georg Friedrich Haas, Hans Abrahamsen or Tansy Davies. He has worked with a wide range of artists such as the Uusinta Ensemble (Finland), Academy Manson Ensemble, Lucy Goddard or Rolf Hind, who premiered his piece "La Coïssor” at the Occupy the Pianos Festival (London) as part of a Call for Scores.

About the tree:
A tree which can reach an old age, with a completely rotten trunk, but still produce a luxuriant canopy of foliage. Its powers of recovery from catastrophic failure make it more than capable of withstanding street tree pollarding programmes.

About the composition:
For this species, I built a whole gamut of computer generated and recorded sounds that I identified with the tree’s own characteristic upwards tendency as well as their size and length.

1 sound

Lombardy poplar

Current age: Mature
Size at maturity: 30m
Species native to: Clone: Propogated by cuttings from indiviual tree in Lombardy, Northern Italy
Tree identification number: 0HX5

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
The Lombardy poplar is a fast growing tree; the tall, narrow 'fastigiate' form of these trees features in windbelts across the world.

About the composition:
This piece tries to highlight an image beyond the first impression, of grandeur and strength, that this tree might give to a viewer, and draw the attention of the listeners in less obvious characteristics of the tree, like its beautifully shaped leaves and their movement when set in motion by the wind. The piece is constructed by percussive sounds which give the impression of something stable and less elegant, but these percussive sounds ignite a very fragile resonance that reveals another more elegant sound world.

1 sound

Purple leaved plum

Current age: Mature
Size at maturity: 15m
Species native to: South Eastern Europe
Tree identification number: 0HXY

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
Purple leaved trees contain a higher amount of anthocyanin, a pigment that causes the purple colouring and masks the green chlorophyll; a naturally occuring mutation that has been selected by mankind for its ornamental qualities.

About the composition:
The shape of this tree makes it look as it bows down from the weight of its branches and its uncommon leaves. This fairytale like image is what defined the timbre of the sound used in the music written for this tree. The piece follows the tree’s shape in terms of the frequencies used, starting in a low register and gradually going higher, only to move back done at the end. The complex texture represents the branches of the tree which get mixed up with each other and give to it a sense of fluidity.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HS0

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HS1

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HVT

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Semi Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HVU

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Semi Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HVV

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Semi Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HVW

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HVX

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HVY

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HVZ

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Semi Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW0

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW1

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW2

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW3

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW4

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW5

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW6

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW7

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HW8

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Semi Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HWH

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HWJ

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Japanese Elm 'Mitsui Centenial'

Current age: Early Mature
Size at maturity: 20m
Species native to: North east Asia and Japan
Tree identification number: 0HWK

Composer name
Iason Maroulis

About the composer:
Iason Maroulis is a young Greek composer and trumpet player based in London. He is interested in the envelope of sound and in its manipulation through both acoustic and electronic means. He is trying to explore the ways that sound is produced in acoustic instruments and ways in which it can be organized in order to create sonorities and gestures, where an ensemble functions as one sound, whose members act as the different parts of this sound’s envelope.

Iason is currently an undergraduate Composition student at the Royal Academy of Music, studying with Rubens Askenar

About the tree:
These tree were a gift from the Mitsui company of Japan in 2000. Elegant spreading canopies, tolerant of dutch elm disease, and the most amazing autumn colour with foliage crossing through oranges and purples before leaf fall.

About the composition:
This tree, together with the neighboring ones, form a group that through their foliage create the illusion of a natural closed space which invites you to delve in it. Based on this, I tried to create an experience which would encourage the audience to move around this “natural space” and explore it. As someone moves deeper in this natural space, and the shadow of the trees’ foliage becomes thicker they will come across more gestural sounds and richer sonorities.

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HCQ

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HGU

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HGY

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HGZ

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Semi Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HH0

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HH3

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HH4

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Old Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HLV

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HVR

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HXB

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Old Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HXG

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HY6

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Horse chestnut

Current age: Mature
Size at maturity: 25m
Species native to: South Eastern Europe
Tree identification number: 0HY7

Composer name
Isaac Oliver Short

About the composer:
British composer Isaac Oliver Short is currently in the first year of his undergraduate composition studies at the Royal Academy of Music, studying with Gary Carpenter. He has had his music performed on BBC Radio 1, BBC Nottingham & BBC Bristol. He has a specific interest in the visual elements of music and often focuses his composition around piano and electronics, with over ten years-worth of experience with both.

About the tree:
A familiar sight in parks and gardens of Britain, the horse chestnut is loved for its flowers, stature and most importantly…Conkers! Sadly the bleeds on the trunk indicate the presence of disease, a problem compounded by a leaf mining insect lava which affects foliage from mid summer.

About the composition:
Horse Chestnut trees are often large, powerful trees with small teardrop shaped leaves and beautiful white flowers in the spring. I found myself in awe of the sheer number of individual elements that constitute this species and decided that the pieces should reflect this with a pointillistic approach. Each piece was created by working with small samples of piano and harp audio, then morphing them into larger textures. Variations in structure, instrumentation and pitch are made based on the size of the tree, shape of the trunk and placement within the surrounding trees (i.e. the effect of light on the perception of the tree).

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HCL

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HCM

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HCN

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HCP

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HCR

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HCS

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HCT

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HCU

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HGJ

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HGL

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HGM

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HGN

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HGP

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HGS

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HH5

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HH6

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar. Although still keeping its shape, the harmony has been slightly altered and thickened, due to the character of the tree, where seemed to me slightly sad.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HH8

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HHA

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HHM

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar. of all the trees this the dearest tree to me. While I was observing the shape of the tree top, suddenly it reminded me a friend of mine called Thomas. Just as him, the shape of the tree was so sincere and kind, so I decided to integrate such component of calmness into this tree.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HHN

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

Red horse chestnut

Current age: Mature
Size at maturity: 20m
Species native to: Hybrid: Cross between Horse Chestnut and Red Buckeye (South East North America)
Tree identification number: 0HHP

Composer name
Marketa Conkova

About the composer:
Marketa Conkova was born in Prague, Czech Republic. Her musical beginnings started with piano lessons at the age of six. She later enrolled to the Prague Conservatoire, where she studied composition for six years under doc. Eduard Douša and later at the Academy of Performing Arts under Prof. Ivan Kurz. Currently, she studies composition at the Royal Academy of Music under Prof. Gary Carpenter. Apart from music Marketa is interested in movies, books and cooking.

About the tree:
In April and May, the tree produces beautiful scarlet flowers. The misshappen cankers on the trunks of mature specimens are a distinctive feature. Like it's cousin it suffers from bleeds on the trunk indicating the presence of disease, a problem compounded by a leaf mining insect lava which affects the foliage from mid summer.

About the composition:
The character of music for the red-horse chestnut was defined by its lovely flowers. This was the common element, which I wanted to include in each piece for this species. The only component, which resulted in the slight alteration of the sound, is the position and the size of each tree. As I was listening to the sound of the wind as it creates the sound of rustling of the leaves, it brought me to the idea of using flutes and harp. Also particulary in this case I felt a strong connection between these trees and friends of mine. So the shape of their branches evoke in me different chracteristics, which I later tried to express. The simplicity that all of these trees share is due to their small size. They also share the same space, so their sound is quite similar.

1 sound

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Songs of Hope, Tête à Tête: The Opera Festival 2023

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Laura Reid
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S+S Echoes of Origin x Moss and Metal Duet

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