Queering Your Camden

24 ECHOES

Sarah Allen
Sarah Allen

Discover queer stories from LGBTQ+ people in your neighbourhood, from first dates to doctors appointments to nights out.

Statements have been collected via the Queering Camden website (www.queeringcamden.com). A select few are kindly voice acted by:

Sheenah Vickers https://www.spotlight.com/8615-4531-3598

Emma Rosier https://www.spotlight.com/3415-6754-6665

Ieuan Dolloway https://www.spotlight.com/0695-4506-1320

As statements are frequently submitted anonymously, the voice actors may not reflect the person who originally submitted the statement, but are intended as a tribute to the collective LGBTQ+ community of Camden.

If you feel inspired by the map, please feel welcome to submit your own story via the website listed above, or follow us on Twitter and Instagram @QueeringCamden.

This map is designed as part of the Forum+ LGBT History Month 2021 Celebrations, the full programme for which can be found at https://forumplus.org.uk/wp-content/uploads/2021/01/Camden_-Islington_LGBTHM21.pdf

Once, Many Years Ago... (Submitted by Umberto)

Once, many years ago, during my exciting first year in London, I went on a date with a guy I had found online. We met just outside Holborn station, he had told me “you’ll recognise me, I will be the one with the guitar case looking tired”. I was young and full of dreams, and as soon as I saw his eyes, which changed from deep blue to grey according to the colour of the sky, I decided he would become my boyfriend. We had a great time that afternoon and I walked him back towards Tottenham Court Road tube station where we said goodbye and he disappeared down the stairs. But the few beers I had had made me decide to go after that handsome boy from Oxfordshire, so I run down the stairs, went through to the platform and looked around for signs of him. But he seemed to be gone. I was disappointed and made my way towards the stairs again, would I see him again? Just then I saw him, he must have been at the ticket machine while I rushed after him and he was now waiting for the next train. I can’t exactly remember what I told him at first, but I do remember trying to kiss him, making a fool of myself. And then, as the next eastbound central line train was about to approach, I looked at him and said “it’s like in Casablanca, please don’t get on that train!”. We had talked about old noir movies that afternoon and we had agreed that Humphrey Bogart was our hero, but the truth is I had not seen Casablanca and I only vaguely knew about the final “maybe not today, maybe not tomorrow” scene. And as it turns out, Bogart actually invites the girl to get on that airplane. He didn’t say anything back, just looked extremely confused. The train came into the station and he jumped in. I suddenly realised people were looking at me and dashed out. But hey, we ended up together for five beautiful years.

1 sound

Once, Many Years Ago... (Submitted by Umberto)

Once, many years ago, during my exciting first year in London, I went on a date with a guy I had found online. We met just outside Holborn station, he had told me “you’ll recognise me, I will be the one with the guitar case looking tired”. I was young and full of dreams, and as soon as I saw his eyes, which changed from deep blue to grey according to the colour of the sky, I decided he would become my boyfriend. We had a great time that afternoon and I walked him back towards Tottenham Court Road tube station where we said goodbye and he disappeared down the stairs. But the few beers I had had made me decide to go after that handsome boy from Oxfordshire, so I run down the stairs, went through to the platform and looked around for signs of him. But he seemed to be gone. I was disappointed and made my way towards the stairs again, would I see him again? Just then I saw him, he must have been at the ticket machine while I rushed after him and he was now waiting for the next train. I can’t exactly remember what I told him at first, but I do remember trying to kiss him, making a fool of myself. And then, as the next eastbound central line train was about to approach, I looked at him and said “it’s like in Casablanca, please don’t get on that train!”. We had talked about old noir movies that afternoon and we had agreed that Humphrey Bogart was our hero, but the truth is I had not seen Casablanca and I only vaguely knew about the final “maybe not today, maybe not tomorrow” scene. And as it turns out, Bogart actually invites the girl to get on that airplane. He didn’t say anything back, just looked extremely confused. The train came into the station and he jumped in. I suddenly realised people were looking at me and dashed out. But hey, we ended up together for five beautiful years.

1 sound

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S+S Echoes of Origin x Moss and Metal Duet

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This sound walk explores the evolving relationship between nature and industry in St. Pancras Basin and its surroundings, where human intervention and organic regeneration continuously reshape the environment. Through two interwoven sound pieces—A Moss and Metal Duet and Echoes of Origin—we invite you to experience the layered sonic histories of where you stand, from its industrial past to its contemporary landscape. As you listen, consider how the remnants of industry coexist with the living, regenerating world around them—how the traces of human production persist, adapt, and ultimately merge with non-human life. A Moss and Metal Duet Serving as a sonic exploration of the elemental forces present within St. Pancras Basin, this piece acts in tangible and speculative ways to listen and learn from the conversations between moss and metal, highlighting the contrast between the organic and inorganic—the naturally regenerative and the human-imposed. Moss, a naturally self-sustaining life form, produces its soft but active “popcorn-ing” sound simply by existing—consuming water, absorbing carbon dioxide, and filtering toxins from its environment. Metal, by contrast, remains silent until acted upon, requiring human interaction to produce sound. It stands as a marker of the industrial presence that has shaped this landscape from the Industrial Revolution to the present day, a lasting reminder of human intervention. Now, metal remains within the site, shifting from an instrument of industry to a structure that coexists with the organic world. Echoes of Origin Extending on this exploration, Echoes of Origin traces broader human intervention surrounding the site through historically-tied sounds. This piece guides you through the rhythm of steam trains and their turning wheels, to the clatter of loading coal and the unloading of grains at what once was a granary. These historical echoes are set against the persistent pulse of contemporary life at Central Saint Martins—where the mechanical voice of the campus gate machine, the hum of sewing machines, and the buzz of electric irons add new sonic textures to the site’s ongoing transformation. By immersing you in these interwoven soundscapes, we hope to reveal the shifting balance between human industry and organic resilience. We invite you to deepen your connection with your surroundings, exploring and reimagining the often-overlooked interactions between human interception and the non-human, but living, world. Credits: MA Arts & Science: Yilei Lu, Ke Ma, Kira Oliver, Xuequin Peng. MA Culture, Criticism and Curation: Ant Beltrán, Emily Pond, Rae Storey. MA Fine Art: Sasha Shevchenko, Evelyn Torkington, Marina Trani, Faye Van Andel, Yinqi Yuan.
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