La voix des Arbres (Sète, France)

“Dear invisibles” This is how Walter Benjamin called the listeners. Benjamin wrote about radio and for the radio. In late 1920s, he worked for a public radio in Berlin and Frankfurt. He loved the popular dimension of this new media with endless possibilities, including the staging of everyday life. More specifically, he produced a series of programs “for children”, which are also aimed at adults. For Benjamin, the radio was the place par excellence of the practical applicationon of his reflections on means of technical reproducibility. He even sketched a theory of radio. As part of our B-AIR research group, we propose to revisit Benjamin's writings and radio plays to question the use and potential of radio today. With radio, through the prism of sound creation and philosophy, we will continue to question how the world sounds and how we can make it sound. Our 2-day seminar will take place in Portbou (Spain) where every 2 years a meeting dedicated to the work of Walter Benjamin brings together researchers, artists,architects and philosophers to debate and experiment with his work. The seminar will alternate between lectures followed by discussions, readings, sound creations and sound walks.

"La langue verte des arbres est un argot bien plus ancien" Prevert Projet poétique et collectif de lettres à un arbres. 10 Poèms pour un arbre pour Giovanna Iorio Traduction & lecture 1 par Marilyne Bertoncini Traduction & lecture 2 par Emmanuelle Sarrouy Noguès Musique par Lucio Lazzaruolo

La langue verte des arbres est un argot bien plus ancien" Prevert Projet poétique et collectif de lettres à un arbres. 10 Poèms pour un arbre pour Giovanna Iorio Traduction & lecture par Marilyne Bertoncini Musique par Lucio Lazzaruolo Photo on the cover Marilyne Bertoncini

Can Lluis, Cistella, Spain

##### Calanques National Park, France [Trail Map](https://www.alltrails.com/trail/france/bouches-du-rhone/calanque-d-en-vau-depuis-l-avenue-des-calanques?u=m&sh=yddwxw)

Passejada creada pels alumnes de la assignatura optativa "Cultura Clàssica" de 2n d'ESO de l'INS Les Margues, de Calldetenes. Curs 2019-2020

A soundwalk along the Garbet at Aulus-les-Bains. From downstream to upstream… and back. Made by Amy Beeston (UK), Iddo Aharony (US) and Katherina Lindekens (BE), as part of the CAMP workshop Ecoacoustics II led by Raquel Castro and Joseph Kamaru (KMRU) in June 2024. Many thanks to Marie-Claude, Diane, Stéphane, Jean-Marc and Philippe for talking and singing to us about their beloved river. Many thanks too to all the other Ecoacoustics II workshop participants and to the entire team at CAMP.

A remote collaboration between two artists in Cornwall, England, and rural Aberdeenshire in Scotland. Initially based around the notions of parenthood, whilst also considering personal, geographical and political space. Composition naturally began to accommodate responses to the pandemic as the album was written during the COVID19 lockdown of 2020. The first five tracks use only the voice and audio production techniques, field recordings, and radio excerpts, whilst the final track contains additional instrumentation.

"La langue verte des arbres est un argot bien plus ancien" Prevert Projet poétique et collectif de lettres à un arbres. 10 Poèms pour un arbre pour Giovanna Iorio Traduction & lecture par Marilyne Bertoncini Musique par Lucio Lazzaruolo