USC Art Collection - Marcia Grimm (DES304)

room 8 ECHOES

Location: Sunshine Coast, Queensland, Australia

We acknowledge the Traditional Custodians of the lands and waters upon which the University's campuses are located.

We acknowledge their continuing connections to the Country and pay our respects to Elders past, present and emerging.

Welcome to your integrated experience of the beautiful art collection found around the University of the Sunshine Coast. Here you will find information about the amazing featured artists' work that we are very grateful to have on our campus. You will hear Megan Williams talk about some of the amazing artwork we have on the campus. Megan is a curator and writer with over fifteen years of experience in programming and management roles across the university art museum sector.

This walk is designed to give you information of each art, recommend downloading the walk for a better optimal experience. Please listen to the end before moving to the next echo to make sure the audio does not overlap and don't forget to tap each echo to ensure you view each image.

Now feel welcome to immerse yourself in this experience and enjoy the beautiful art and the information.


marciagrimm
marciagrimm

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The Echoes


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SOMETIMES IT'S THE LITTLE THINGS – PART 2

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Artwork in the concrete by Judy Watson - Part 1

There are two parts for this location, listen to part 1 first before listening to part 2. Artist: Ju…

Artwork in the concrete by Judy Watson - Part 2

Part 2 There are two parts for this location, listen to part 1 first before listening to part 2. Ar…

Kabi Kabi Mural

Artist: Lyndon Davis Art represents his deep connection to country, flora, fauna and creation stori…

Pulse

See the beauty and elegance, aligning with the nature of this artwork. Donated in 2006 from Lee Graf…

John Mainwari, Architect

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Obelisk

Obelisk by Leonardo Sabol 2008 This unique piece is appreciated through observing its many textures …

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Other walks nearby

Holocene :: Leah Barclay and Tricia King

Holocene :: Leah Barclay and Tricia King

This work is part of a research project between Leah Barclay, Tricia King and Lyndon Davis exploring site-responsive photography, immersive soundscape and Indigenous knowledge. The work explores methods of seeing sound and hearing images through a locative media walk with photography and soundscapes. This is the third iteration of Holocene - which responds to an immersive sound walk of the same name along the edge of the lake at Boreen Point for Floating Land 2021. The work references the current period of geologic time that corresponds with the global changes caused by human activities and technological revolutions. It explores the tensions present in UNESCO biosphere reserves, the impact of the COVID-19 pandemic and the challenges and contradictions of sustainable development. The audience walked along the edge of the lake at dusk with their feet in the water wearing wireless headphones and listening to a live soundscape mix. The acoustic ecology focused around the Noosa Biosphere Reserve revealing invisible ecosystems we usually cannot hear including hydrophones deep in the everglades and microbats navigating the surface of the lake at dusk. The experience draws on the voices of traditional owners, including Lyndon Davis who is a key collaborator on this research. For this locative experience, Leah has created a soundscape in response to Tricia's images from the original sound walk at Boreen Point and additionally imagery from their collaboration project Listening in the Wild - www.listeninginthewild.com
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