USC Art Collection By Lyndon Davis

We acknowledge the Traditional Custodians of the lands and waters upon which the University's campuses are located. We acknowledge their continuing connections to the Country and pay our respects to Elders past, present and emerging. Welcome to your integrated experience of the beautiful art collection found around the University of the Sunshine Coast. Here you will find information about the amazing featured artists' work that we are very grateful to have on our campus. You will hear Megan Williams talk about some of the amazing artwork we have on the campus. Megan is a curator and writer with over fifteen years of experience in programming and management roles across the university art museum sector. This walk is designed to give you information of each art, recommend downloading the walk for a better optimal experience. Please listen to the end before moving to the next echo to make sure the audio does not overlap and don't forget to tap each echo to ensure you view each image. Now feel welcome to immerse yourself in this experience and enjoy the beautiful art and the information.

This is for our workshop

This work is part of a research project between Leah Barclay, Tricia King and Lyndon Davis exploring site-responsive photography, immersive soundscape and Indigenous knowledge. The work explores methods of seeing sound and hearing images through a locative media walk with photography and soundscapes. This is the third iteration of Holocene - which responds to an immersive sound walk of the same name along the edge of the lake at Boreen Point for Floating Land 2021. The work references the current period of geologic time that corresponds with the global changes caused by human activities and technological revolutions. It explores the tensions present in UNESCO biosphere reserves, the impact of the COVID-19 pandemic and the challenges and contradictions of sustainable development. The audience walked along the edge of the lake at dusk with their feet in the water wearing wireless headphones and listening to a live soundscape mix. The acoustic ecology focused around the Noosa Biosphere Reserve revealing invisible ecosystems we usually cannot hear including hydrophones deep in the everglades and microbats navigating the surface of the lake at dusk. The experience draws on the voices of traditional owners, including Lyndon Davis who is a key collaborator on this research. For this locative experience, Leah has created a soundscape in response to Tricia's images from the original sound walk at Boreen Point and additionally imagery from their collaboration project Listening in the Wild - www.listeninginthewild.com

This is a look at how Geolocated Maps can be used to capture audio visual pieces of environments in different ways.

Have a coffee and relax by the student guild where you can make friends and find benefits and resources available to students.

This walk traces a journey through sound, moving between human activity and natural environments across the Sippy Downs campus. Beginning at the threshold of space, the listener is guided through moments of movement, interaction, and sensory overload before transitioning into quieter states of attention and awareness. The experience reveals how place is shaped through both presence and perception.

This walk traces a journey through sound, moving between human activity and natural environments across the Sippy Downs campus. Beginning at the threshold of space, the listener is guided through moments of movement, interaction, and sensory overload before transitioning into quieter states of attention and awareness. The experience reveals how place is shaped through both presence and perception.