Home: London

6 ECHOES

Barra Collins
Barra Collins
Our homes, and where we come from, shape the way we view the world: the things that comfort us, the things that make us feel out of shape. In a year where we have spent more time than we could have ever anticipated in our households - 5 young artist reflect on what home means to them.

Renée

The sound of dumpling and meat soup Bubbling on the stove. The sound of knives and forks clanking together As you simultaneously feast. Tv Static. Capital Xtra. LBC. The slow and peaceful “ahhh” your mouth subconsciously lets out, As you rest your head on the pillow And get cosy under the blanket. The sound of home – the light, the dark, the warmth, the cold – All become settled And set up shop in between your taste buds.

Everything is more authentic. Authentic? Every granule of sugar dissolves. And you know mum’s tea is the best Because that heavy sigh of relief escapes The passageway - From your diaphragm to your nostril, From your nostril to the open air. The smell Of home.

The smell of home is a traitor. He doesn’t want you to smell him - but he throws himself at the stranger next door. The look of home is disjointed like a severed limb that just won’t fall off. You step away from the door, the key leaves the lock and Puff! Like a distant dream you can’t pinpoint the exact image - Like fragile seeds being blown away by the wind.

But then, You follow the lines of the brass knocker with your index, The aging of the metal rigid on your soft skin. Then, the look of home comes flooding in, like a dam bursting – Do you remember when you fell off from the top of the bunk bed? Do you remember when you rearranged your room at 4am? Do you remember how that tea stain got sealed into the mattress?

The look of home is smothering - Not too much that you suffocate But just enough to keep you in your cocoon. And there it goes, The seven AM alarm

And the outside world drags you into its routine. But you are no longer a caterpillar But a worker bee. Fly busy bee, fly. Then back to the colony.

1 sound

Tina

Home. What is home? People usually think that their home is their house. A repetitive cycle where they wake up, eat, go to the bathroom. I’m not sure if I agree with those people. Because for me, it’s more than that.

Home is when I finish an exhausting day of school. I’m on my way home when I see a group of little children, Spinning on the roundabout and running around Yelling ‘you’re it’ to their friends and just having the time of their lives. It gives me a sense of nostalgia.

What I wish to be care-free again, Without any worries. Because as we grow up, We can’t live like that any more. We must constantly figure it out By ourselves - Taking responsibility for things, And For our parents to be proud of us.

I miss when I thought that adults knew everything - When they could cure my wounds and solve any problems. But now I know that my wounds were small and my problems were easy.

I miss thinking that adults knew a secret to life That we didn’t know. I come staggering to my doorstep With muscle pain from PE And hand cramps from the 2-page extended writing from English, Until I open my front door And my nose captures the savoury aroma of my mum’s cooking. This smell makes me forget about all my problems, And eases my mind Like I’m dreaming And no-one could ever wake me up.

Except for my mum's yelling! Her banshee-like screams, Which could make for a good horror movie, And her eyes almost bulging out of her eye sockets, Snaps me back to reality While the hairs on my body Sit up. I get scared, as I have no idea why she is angry at me, But I keep calm And listen to her.

Even though she’s strict and angry at times, Her love for her children is greater than everything else. We’d sit down And have these lengthy sentimental conversations About her past And the hardships she had to go through To get where she is at today. Her motivation to keep on going inspires me. When I’m lost in my thoughts Or having an identity crisis She is always there With her arms spread out,

Her hugs are warm and pleasant A door welcoming you in. Those arms you can’t resist. They’re special. They reassure you that everything is going to be ok. It’s something that you need. Those arms you never want to let go of. It’s like a drug. She says; “Go on, cry as much as you need to.”

At least once in a lifetime, we will be tired And feel as if we can’t go on. We can’t expect our life to be What we imagined it would be, Without our efforts that we put in. It’s not easy,

So take a step back and Listen to yourself. Don’t lose who you are. You are in control.

So… Home - The emotions, thoughts, Feelings and memories. Expressed through the people who I hold close to my heart. Reminding me that every day which goes by Is special And meaningful If I’m with the people I love, And the people who love me.

I will never forget the feeling of home.

1 sound

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Lee Green Open Studios: The Metalization of a Dream by Duncan MacLeod

Lee Green Open Studios: The Metalization of a Dream by Duncan MacLeod

London
The Metalization of a Dream by Duncan MacLeod (2019-2022) feat. Galvanize Ensemble. The Metalization of a Dream is an open form soundwalk responding to the dada and surrealist-inspired collages of Eduardo Paolozzi (1924-2005). A pioneer of pop art, Paolozzi’s practice drew inspiration from artists that utilise similar collage and cut-up techniques such as Charles Ives and William S. Burroughs. As such, these relationships are explored within this work through John Cage’s concept of the coexistence of dissimilars, where the notion of harmoniously blended elements is eschewed in favour of collage-like juxtapositions ‘that fuse in the ear of the listener’. Like Paolozzi’s collages, this work incorporates ‘found objects’ in this case John Taverner’s In Nomine and the writings of Gertrude Stein that are reimagined, juxtaposed and intertwined with composed and indeterminate materials alongside soundscape recordings to form an equivocal sound world. Commissioned by Galvanize Ensemble with funding from the Arts Council of England, PRS Foundation, RVW Trust, and support from Britten Pears Arts (Creative Retreats). Biographies Duncan MacLeod is a composer whose practice utilises both acoustic and electronic forces. His outputs encompasses concert music, sound installations, music for stage, interdisciplinary collaborations, and participatory arts. His work has been commissioned, commercially recorded, and broadcast internationally by various ensembles and soloists. Duncan is Reader of music composition at the University of Nottingham and is co-artistic director of Nottingham Forum for Artistic Research (NottFAR). Website: www.duncanmacleod.org Twitter: @Leod\_Music Galvanize Ensemble is an ensemble of musicians who work with composers, artists, film and text to create installations, cross disciplinary performances & exhibitions. https://www.galvanizeensemble.co.uk Joel Bell (guitar), Sarah Dacey (voice), Kate Halsall (keyboards), Stephen Hiscock (percussion), and Phil Maguire (electronics). Unless credited otherwise all works composed by Duncan MacLeod ©2022. Unauthorised copying, hiring, lending, public performance and broadcasting of this recording strictlty prohibited.
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