Brockley Corridor Sound Walk

Our homes, and where we come from, shape the way we view the world: the things that comfort us, the things that make us feel out of shape. In a year where we have spent more time than we could have ever anticipated in our households - 5 young artist reflect on what home means to them.

Geo-located album

*We recommend downloading the Walk before starting your exploration* *If audio does not play automatically (or you want to listen off-site) you can manually control the soundscapes by clicking on an Echo region, then 'See More', then pressing play* **Dis/Locating Cultures of Equality** is an interactive exhibition taking place on College Green, Goldsmiths University campus, September 20 - October 22 2021. It is free, 'covid-secure' and open to the public. The exhibition explores how creative practices can help create and sustain cultures of gender equality around the world – while also addressing how the coronavirus pandemic has impacted local communities. Held to mark the close of the four-year Global Genders and Cultures of Equality (GlobalGRACE) project. Read more about the exhibition and project here: http://www.gold.ac.uk/news/dis-locating-cultures-of-equality/

An action research project that uses storytelling as a method for starting conversations about the past, present and future of Rye Lane. The project is funded by Southwark Council’s High Street Recovery Fund. Project Website: https://hiddenvoiceshiddengems.cargo.site/

## The Metalization of a Dream by Duncan MacLeod (2019-2022) feat. Galvanize Ensemble. The Metalization of a Dream is an open form soundwalk responding to the dada and surrealist-inspired collages of Eduardo Paolozzi (1924-2005). A pioneer of pop art, Paolozzi’s practice drew inspiration from artists that utilise similar collage and cut-up techniques such as Charles Ives and William S. Burroughs. As such, these relationships are explored within this work through John Cage’s concept of the coexistence of dissimilars, where the notion of harmoniously blended elements is eschewed in favour of collage-like juxtapositions ‘that fuse in the ear of the listener’. Like Paolozzi’s collages, this work incorporates ‘found objects’ in this case John Taverner’s In Nomine and the writings of Gertrude Stein that are reimagined, juxtaposed and intertwined with composed and indeterminate materials alongside soundscape recordings to form an equivocal sound world. Commissioned by Galvanize Ensemble with funding from the Arts Council of England, PRS Foundation, RVW Trust, and support from Britten Pears Arts (Creative Retreats). ------ #### Biographies [__Duncan MacLeod__](http://www.duncanmacleod.org) is a composer whose practice utilises both acoustic and electronic forces. His outputs encompasses concert music, sound installations, music for stage, interdisciplinary collaborations, and participatory arts. His work has been commissioned, commercially recorded, and broadcast internationally by various ensembles and soloists. Duncan is Reader of music composition at the University of Nottingham and is co-artistic director of Nottingham Forum for Artistic Research (NottFAR). Website: [www.duncanmacleod.org](http://www.duncanmacleod.org) Twitter: [@Leod_Music](http://twitter.com/leod_music) [__Galvanize Ensemble__](www.galvanizeensemble.co.uk) is an ensemble of musicians who work with composers, artists, film and text to create installations, cross disciplinary performances & exhibitions. [https://www.galvanizeensemble.co.uk](www.galvanizeensemble.co.uk) Joel Bell (guitar), Sarah Dacey (voice), Kate Halsall (keyboards), Stephen Hiscock (percussion), and Phil Maguire (electronics). Unless credited otherwise all works composed by Duncan MacLeod ©2022. Unauthorised copying, hiring, lending, public performance and broadcasting of this recording strictlty prohibited.

The Pest

Resonances (II) is an interactive piece of music. As the participant walks around Green Dale Fields, three compositions, based on a triptych of photographic images, are played. The music disrupts and punctures, revealing the city in a new way. Ben’s practice questions the role of listening in relation to the still image. He makes use of reworking and repetition, passing sound and image through a variety of different processes to create his work. For this installation he uses the data from a photographic triptych he made in 2016 to create three sound pieces. The listener is free to move around triggering the sound as and when they like - each experience is, in this sense, unique. www.benmcdonnell.co.uk INST: bcjmcdonnell TW: @benmcdonnell

108 in Cape Town: Hangberg > Hout Bay Harbour > Sea Point > Adderley Under the apartheid system, the Group Areas Act designated Hangberg as a “coloured” residential area. Poverty and unemployment in Hangberg are high, and it has been the site of a number of political protests. Hout Bay & Sea Point contain multi-million rand mansions, luxurious holiday homes and some small wine estates. Supported by funding from Goldsmiths, University of London Department of Media, Communications and Cultural Studies’ 40th Anniversary Community Fund. With thanks to the Museum of Walking and #SoundWalkSunday Executive producer Andrew Stuck

prototype of designing a portable sonic ecology